Originally posted by ardcarp
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Arnold, Sir Malcolm (1921-2006)
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Originally posted by LeMartinPecheur View PostI have the Song of Simeon on an ancient Carlton Classics/ BBC Radio Classics twofer of very misc. MA works. Can't say it's made a huge impression to date but might give it another try soon.
Though I'm not sure I'll give it another try just yet.
When I last listened it was with view to possibly recommending it as a work for the choral society I previously sang in (before moving here) to perform, but I didn't think it suitable.
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Originally posted by teamsaint View PostI was thinking that I only have the Magginis recording of the SQs.
Apple music has the Ceruti set, which looks costly on CD. Are there any alternatives ?
Fine performances but I remain loyal to the Magginis
Short article on the works here http://www.musicweb-international.com/arnold/piers.htm“Music is the best means we have of digesting time." — Igor Stravinsky
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Originally posted by Pulcinella View PostThat looks tempting.
There was a Decca Collector's set too, but I think that that is (was) more expensive, and now is download only.
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Originally posted by kea View PostShort essentials list: Symphony 7, Symphony for Strings, Concerto for 28 Players, the two string quartets, Fantasy on a Theme of John Field. Recordings—there doesn't seem to be a vast difference between them, and for most works there's only one available; I tend to favour the 7th Symphony with Martin Yates (on Dutton) rather than the Handley
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For the pieces I mentioned? He's effective at conveying a sense of alienation and nausea through the language of light music, like a capitalist realist version of Shostakovich. So the 7th symphony for example is full of imitation brass band marches that go nowhere, "big tunes" compressed into tiny intervals or stretched out into contorted structures, repetitions that normally would mark structural points but in this case just sound "stuck", a "pastoral" interlude in the last movement that seems to go on for much too long and then disappears with no apparent effect on its surroundings, and obviously a triumphal final cadence that is about as brutal and unwanted as possible. In the more parodistic moments there's often an undercurrent of anger, which sometimes (eg as in the 2nd Quartet) becomes an....outercurrent? I guess there are also points (eg in the Field fantasy) where this becomes "music about music" or comes across as putting up the middle finger to.....someone, maybe the audience.
I'm not sure to what extent an appreciation for or enjoyment of the light music style, or his film music, or the mainstream of British music ca. 1930-1970 is necessary to appreciate his work—but it does seem to help, and I think makes it easier to read his later work (& some of the early work like the first quartet or string symphony) as "dissidence" or "inner emigration" or in any other way a response to the profound alienation and emotional isolation of 1960s-80s Britain. Also very easy to empathise with as someone with a long experience of mental health issues, where the music can seem like the view from within anxiety or trauma or a borderline personality.
(He did have a lot of Problems personally but I don't know much about them, & was successful enough that this may be a misreading of his intentions, but it's a fruitful one for me)
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The Tony Palmer documentary is one youtube:
Because it was made during Arnold's lifetime, it avoids going into detail over several painful episodes (the reasons for his suicide attempts, his 'unaddressed' sexuality, his promiscuity, his alcoholism, his marriages and his troubled relationships with his children - only one of whom appears in the film). Quite a lot is left for the viewer to ponder but much of the footage is fascinating.
Jon Lord obviously experienced M.A. at his best and you'll certainly want to hear Arnold's opinion of Ian Gillan's 'equipment'!
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[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Originally posted by ferneyhoughgeliebte View Post
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Originally posted by Heldenleben View PostPossibly - I think your musical tastes broaden as you get older . Pleasure aside I was struck by the quality of Arnold’s music - particularly the string quartet. Also good to hear something other than the Arnoldian warhorses
Looking forward to this, when I can get time to hear it. Arnold's music deserves a higher profile in live performance IMO.
Cue discussion about conservative/cautious concert programming. ticket sales, cost of hire of scores etc etc etcI will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.
I am not a number, I am a free man.
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Originally posted by Serial_Apologist View PostAnd I must say I enjoyed Episode 1 of this COTW this morning. Goodness! - could this be a sign of ageing?
UPDATE: String Quartet No. 2 now playing in the post-concert slot.Last edited by LMcD; 11-11-19, 21:50.
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