Barrett, Richard (b. 1959)

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  • Richard Barrett
    Guest
    • Jan 2016
    • 6259

    Something new: I mentioned in another thread my recent recording for Latvian Classical Radio, and now it's online for those wishing to hear it.

    Avangarda mūzikai veltītā raidījuma "Tāda mūzika" 18. izlaidumā - komponists Ričards Barets, saksofonists un skaņu mākslinieks Filips Lozjē, basģitārists Ēriks Normāns un bundzinieks Viljams Hukers.


    My bit starts at 4:23 for those whose Latvian isn't up to scratch. A brief explanation might be in order: it's an unedited performance (in my studio) of a solo composition entitled hylozoon whose sound materials were mostly created using the Arturia emulation of the EMS Synthi A synthesizer, together with some clarinet sounds. The neologistical title comes from "hylozoism" which denotes the belief that all matter is in some sense alive, which seemed an appropriate kind of idea to associate with making expressive music with electronic and digital machines.

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    • Joseph K
      Banned
      • Oct 2017
      • 7765

      Originally posted by Richard Barrett View Post
      Something new: I mentioned in another thread my recent recording for Latvian Classical Radio, and now it's online for those wishing to hear it.

      Avangarda mūzikai veltītā raidījuma "Tāda mūzika" 18. izlaidumā - komponists Ričards Barets, saksofonists un skaņu mākslinieks Filips Lozjē, basģitārists Ēriks Normāns un bundzinieks Viljams Hukers.


      My bit starts at 4:23 for those whose Latvian isn't up to scratch. A brief explanation might be in order: it's an unedited performance (in my studio) of a solo composition entitled hylozoon whose sound materials were mostly created using the Arturia emulation of the EMS Synthi A synthesizer, together with some clarinet sounds. The neologistical title comes from "hylozoism" which denotes the belief that all matter is in some sense alive, which seemed an appropriate kind of idea to associate with making expressive music with electronic and digital machines.
      Very nice.

      The DJ should have waited just a moment before talking, once it had finished...

      Comment

      • Serial_Apologist
        Full Member
        • Dec 2010
        • 37714

        Originally posted by Richard Barrett View Post
        Something new: I mentioned in another thread my recent recording for Latvian Classical Radio, and now it's online for those wishing to hear it.

        Avangarda mūzikai veltītā raidījuma "Tāda mūzika" 18. izlaidumā - komponists Ričards Barets, saksofonists un skaņu mākslinieks Filips Lozjē, basģitārists Ēriks Normāns un bundzinieks Viljams Hukers.


        My bit starts at 4:23 for those whose Latvian isn't up to scratch. A brief explanation might be in order: it's an unedited performance (in my studio) of a solo composition entitled hylozoon whose sound materials were mostly created using the Arturia emulation of the EMS Synthi A synthesizer, together with some clarinet sounds. The neologistical title comes from "hylozoism" which denotes the belief that all matter is in some sense alive, which seemed an appropriate kind of idea to associate with making expressive music with electronic and digital machines.
        Thanks very much for posting this, Richard. My father would, in all his "wisdom", have disagreed with your belief, while at the same time adding that "Of course, I never studied organic chemistry for my Ph.D, so what would I know??"

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        • Serial_Apologist
          Full Member
          • Dec 2010
          • 37714

          Originally posted by Joseph K View Post
          The DJ

          Comment

          • Richard Barrett
            Guest
            • Jan 2016
            • 6259

            Originally posted by Serial_Apologist View Post
            My father would, in all his "wisdom", have disagreed with your belief
            NB: not my belief, just a belief!

            Comment

            • teamsaint
              Full Member
              • Nov 2010
              • 25210

              Talking of DJs ...I miss the old radio one jingles.

              “ Latvian Classical Radio .......the sound of happy motoring” would work nicely .

              Anyway, thanks Richard, i’ll give that a listen later. Interested in the idea of all matter being in some sense “alive”, which is quite common currency in some circles I believe.
              I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.

              I am not a number, I am a free man.

              Comment

              • Richard Barrett
                Guest
                • Jan 2016
                • 6259

                Electroacoustic duet of Ensemble Studio 6 + Incredible BobMilana Zarić - harps, electronics, percussionRichard Barrett - keyboard, computerIncredible Bob - ...


                Another online concert of music for harp and electronics by Milana and me, this time with visuals by Incredible Bob!

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                • Joseph K
                  Banned
                  • Oct 2017
                  • 7765

                  Originally posted by Richard Barrett View Post
                  https://www.youtube.com/watch?v=cxOETT51zLA

                  Another online concert of music for harp and electronics by Milana and me, this time with visuals by Incredible Bob!
                  Excellent music and visuals!

                  Comment

                  • Quarky
                    Full Member
                    • Dec 2010
                    • 2664

                    Originally posted by Richard Barrett View Post
                    https://www.youtube.com/watch?v=cxOETT51zLA

                    Another online concert of music for harp and electronics by Milana and me, this time with visuals by Incredible Bob!
                    Totally engaging throughout.

                    but drum-sticks on a harp? IMHO, she hit the woodwork!

                    Comment

                    • Serial_Apologist
                      Full Member
                      • Dec 2010
                      • 37714

                      Originally posted by Quarky View Post
                      Totally engaging throughout.

                      but drum-sticks on a harp? IMHO, she hit the woodwork!
                      Known in jazz as a rimshot - but you knew that!

                      Comment

                      • Bryn
                        Banned
                        • Mar 2007
                        • 24688

                        Originally posted by Serial_Apologist View Post
                        Known in jazz as a rimshot - but you knew that!
                        Surely, in jazz etc., a rim-shot must connect with both rim and drum-head?

                        Comment

                        • Serial_Apologist
                          Full Member
                          • Dec 2010
                          • 37714

                          Originally posted by Bryn View Post
                          Surely, in jazz etc., a rim-shot must connect with both rim and drum-head?
                          Which would make me wrong then, given that harps do not possess drum-heads!

                          Comment

                          • Bryn
                            Banned
                            • Mar 2007
                            • 24688

                            Originally posted by Serial_Apologist View Post
                            Which would make me wrong then, given that harps do not possess drum-heads!
                            Connecting simultaneously with both the body of the harp and at least one string would pass, I reckon, but not just striking the 'woodwork'. That's more in the realm of The Wonderful Widow of 18 Springs. Of course, accidental rim-shots are an occupational hazard.

                            Comment

                            • Bryn
                              Banned
                              • Mar 2007
                              • 24688

                              Watching/listening again now, I am reminded of Eddie Prévost's use of Wham-O Superballs back in the late '60s. Their high level of friction when dragged across a drum head, cymbal or tam-tam was a particularly effective sound producing technique within his vast range. Indeed, he even gained some sponsorship from Wham-O as a result. These days there are many substitute for the Wham-O product available to musicians.

                              Comment

                              • Richard Barrett
                                Guest
                                • Jan 2016
                                • 6259

                                Originally posted by Bryn View Post
                                there are many substitutes for the Wham-O product available to musicians.
                                The "superball mallet" is a staple item in the collection of any percussionist involved in contemporary music. I didn't know that Edwin was the pioneer in this regard, although I'm not surprised given his interest in making percussion instruments not sound percussive. When applied to harp (or piano) strings they do tend to wear down rather quickly so a supply of spares needs always to be on hand.

                                No harps were harmed in the making of this motion picture.

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