Originally posted by Pulcinella
Finzi, Gerald (1901 - 1956)
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Originally posted by Leinster Lass View PostYou'll won't like, you know, be getting no mickey taking from me where Finzi's concerned. Just my Baldrickian attempt to lure people into discovering more about one of my favourite composers.
I deleted my post, in case any offence was taken (though none was intended!), but too late, as you've quoted it!
PS: Sympathies to ahinton, if Dies Natalis doesn't hit the spot for him.
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Originally posted by ahinton View PostCan't identify with his work in general although his final piece, the cello concerto, seems to stand head and shoulders above all that went before it...“Music is the best means we have of digesting time." — Igor Stravinsky
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Courtesy of the blogger, CLASSICAL ICONOCLAST.
"On New Year's Eve, 1925, Gerald Finzi went to a party in a cottage on Chosen Hill, above the hamlet of Churchdown in Gloucestershire. The cottage still stands, half-hidden in a hollow. At midnight, Finzi and his friends came outside, into sharp frost, the night sky filled with stars, and "heard bells ringing across Gloucestershire from beside the Severn to the hill villages of the Cotswolds". Stephen Banfield, Finzi's biographer, calls this the "hilltop epiphany", for it released in Finzi a surge of original music. This was the inspiration for Nocturne op 7, whose sub-title is in fact New Year's Music, and later for In Terra Pax, filled with bells and joy. Finzi needed an impetus to find himself and something happened that night under the stars. "I love New Year's Eve," he told a friend later, "Though it's the saddest time of the year..... a time of silence and quiet". And soon after asked himself "must knowledge come to me, if it comes at all, by some awkward experiment of intuition, and no longer by the familiar process (of reading other's work)?" ie Finzi was learning to trust his own artistic instincts."
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Originally posted by Simon Biazeck View PostCourtesy of the blogger, CLASSICAL ICONOCLAST.
"On New Year's Eve, 1925, Gerald Finzi went to a party in a cottage on Chosen Hill, above the hamlet of Churchdown in Gloucestershire. The cottage still stands, half-hidden in a hollow. At midnight, Finzi and his friends came outside, into sharp frost, the night sky filled with stars, and "heard bells ringing across Gloucestershire from beside the Severn to the hill villages of the Cotswolds". Stephen Banfield, Finzi's biographer, calls this the "hilltop epiphany", for it released in Finzi a surge of original music. This was the inspiration for Nocturne op 7, whose sub-title is in fact New Year's Music, and later for In Terra Pax, filled with bells and joy. Finzi needed an impetus to find himself and something happened that night under the stars. "I love New Year's Eve," he told a friend later, "Though it's the saddest time of the year..... a time of silence and quiet". And soon after asked himself "must knowledge come to me, if it comes at all, by some awkward experiment of intuition, and no longer by the familiar process (of reading other's work)?" ie Finzi was learning to trust his own artistic instincts."
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Originally posted by antongould View PostOn New Years Day the much debated Ms Alker played New Years Music ….. shamefully I had never heard it … I think it will be become an annual listen for me ……
Glad Anton and Simon feel similarly about this piece. Thanks to you both.
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Originally posted by Historian View PostFirst Finzi piece I ever heard, on Radio Three over forty years ago. I remember listening rapt and wondering who had written such music. Not so easy to find out about composers in those days but searched out as much as I could and have never been disappointed. Had the great pleasure of hearing the Cello concerto in concert a couple of years ago. For me his work is utterly distinctive.
Glad Anton and Simon feel similarly about this piece. Thanks to you both.
I see Raphael Wallfisch thinks it is better than the Elgar . I have both his and Tim Hugh’s versions and they don’t make me feel that way - perhaps I need to get the Yo Yo Ma?
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