This morning's Breakfast reminded me that Finzi is one of my very favourite composers .... IMVVHO his music is the England I cannot quite recall ........ Surely he must be here somewhere? Or has the thread been hacked .... ????
Finzi, Gerald (1901 - 1956)
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Originally posted by antongould View PostIMVVHO his music is the England I cannot quite recall .
What he seems to be have wanted to cover was his Jewish background, at a time when it seemed quite likely that Adolf Hitler, or maybe Oswald Mosley, and their cohorts might come looking for him.
Not of course that he really thought the 'disguise' would be effective (a change of surname would have been more practical), but it does seem to have fulfilled a psychological need.I keep hitting the Escape key, but I'm still here!
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Originally posted by LeMartinPecheur View PostIt's only quite recently that I learned, via the excellent Banfield biographical study, of the extent to which Finzi the English country gentleman nurturing English apple trees, collecting and setting English poetry, was some kind of a self-preservative disguise or personal myth.
What he seems to be have wanted to cover was his Jewish background, at a time when it seemed quite likely that Adolf Hitler, or maybe Oswald Mosley, and their cohorts might come looking for him.
Not of course that he really thought the 'disguise' would be effective (a change of surname would have been more practical), but it does seem to have fulfilled a psychological need.
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I have that recording that was played this morning, RFG. Strongly recommended. I heard it as well and Roderick Williams has recorded a lot of Finzi on Naxos, which I can also strongly recommend too. RW is a very fine Finzi interpreter.Don’t cry for me
I go where music was born
J S Bach 1685-1750
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Originally posted by Brassbandmaestro View PostI have that recording that was played this morning, RFG. Strongly recommended. I heard it as well and Roderick Williams has recorded a lot of Finzi on Naxos, which I can also strongly recommend too. RW is a very fine Finzi interpreter.
(Keep them coming, Bbm; we love you for them!)
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One of my very favourite composers. One of the slowest, too - and fastidious (like Butterworth).
I believe that, of all the Hardy settings (56?) there is just one syllable set to two different notes; everything else is 1 syllable = 1 note. Remarkable.
The Butterworth comparison is interesting. Every time I hear Love Blows as the Wind Blows, I'm struck by hoe much like Finzi the opening is. It wasn't published till 1921, when Finzi was 19 or 20. Just the age he might have been 'exploring'. Did he buy a copy?Last edited by Pabmusic; 13-05-17, 21:56.
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Originally posted by antongould View PostExcellent and very profound ER .... but then you're from Stockport .........Don’t cry for me
I go where music was born
J S Bach 1685-1750
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Originally posted by Brassbandmaestro View PostIt's a very pastoral sound world, Finzi's music. But, a sublime sound too. So different from all the others, as to be unique.
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Finzi was a pupil of R. O. Morris (possibly Morris' most famous pupil, with Howard Ferguson). Morris was Butterworth's longest-serving friend. They began piano lessons together in York at 5 years. Later they volunteered together and served in the same Battalion of the DLI. Morris always promoted Butterworth's music.
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Originally posted by Pabmusic View PostFinzi was a pupil of R. O. Morris (possibly Morris' most famous pupil, with Howard Ferguson). Morris was Butterworth's longest-serving friend. They began piano lessons together in York at 5 years. Later they volunteered together and served in the same Battalion of the DLI. Morris always promoted Butterworth's music.
Many thanks Pabs. The recordings that Naxos have made of his songs with Roderick Williams and Iain Burnside, are quite exemplary.Don’t cry for me
I go where music was born
J S Bach 1685-1750
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