Originally posted by Bryn
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Ferneyhough
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Originally posted by Joseph K View Post
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Yesterday I listened to the first disk of Ferneyhough's opera Shadowtime, and today I'm listening to the second disk.
Contrary to what I've heard from some people, I actually think this is one of his more accessible/less inaccessible pieces - and I think this not only because it happens to be possibly my favourite work of his, but also the libretto, which IMO is a fine one, and the fact that much of the work is broken into small sections. I also very much like the singing on the one recording there is of it.
The harmonies here are incredible, deeply expressive:
Provided to YouTube by NAXOS of AmericaShadowtime, Scene 3, The Doctrine of Similarity: Scene 3: The Doctrine of Similarity: Salute · Neue Vocalsolisten Stut...
I really like this, which features canon and heterophony:
Provided to YouTube by NAXOS of AmericaShadowtime, Scene 5, Pools of Darkness: Scene 5: Pools of Darkness: Three Giant Mouths · Neue Vocalsolisten StuttgartF...
And this one - a passacaglia - features an uncharacteristic amount of repetition and is beautiful:
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Originally posted by ferneyhoughgeliebte View PostFor me, the "breakthrough piece" in which the full potential of this astonishing composer was first revealed. At the very least, it is the first significant work in the medium by a composer coming from the post-War "modernist" traditions - Maxwell Davies and Boulez notwithstanding - and opened new expressive possibilties for the String Quartet, possibilities followed up by subsequent works both by Ferneyhough himself and by later composers.
The work has been recorded twice; first by the Berne Quartet on RCA back in the early '80s and by the Ardittis a decade or so later. The Ardittis performance is the more accurate and they realize Ferneyhough's astonishing spectra of timbral and rhythmic subtleties with breathtaking fidelity, but the Berne performance has an "edge-of-seat" excitement of its own as the players slalom down the Cresta Run of the notes. The broadcast this Saturday is given by the Diotima Quartet, the French ensemble who have taken up the mantle of the Ardittis both in their programming, and in their totally Musical performances of "complex" modern scores. They have their own way with this Music: generally "warmer", more "lyrical" (wrong words, suggesting a lack of warmth and lyricism from the Arditti performances, which ain't the case!) and they were recorded at February's magnificent "Total Immersion" weekend.
http://www.bbc.co.uk/programmes/b01755p2
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Originally posted by Mandryka View PostEnjoying the Missa Brevis, which seems to me to be unbuttoned in a sort of 1960s way - like the Ligeti Requiem, the Sciarrino madrigals and Barraqué’s Le Temps Resitué - but better!
Rather grand, isn't it? Very striking.
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