While on holiday earlier this week, I purchased some CDs from a charity shop in Sidmouth, and am looking forward to hearing, in particular, an EMI Pheonixa CD of Elgar's Cello Concerto (soloist Andre Navarra), Enigma Variations and Elegy for Strings with the Halle Orchestra under Sir John Barbirolli. Apart from their musical merits, such bargains also serve as holiday souvenirs! (The other purchases were Mahler's 3rd and 10th conducted by Simon Rattle).
Elgar (1857-1934)
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Originally posted by LMcD View PostWhile on holiday earlier this week, I purchased some CDs from a charity shop in Sidmouth, and am looking forward to hearing, in particular, an EMI Pheonixa CD of Elgar's Cello Concerto (soloist Andre Navarra)...
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There's a new recording of Caractacus, conducted by Martyn Brabbyns with the Huddersfield Choral Society and the Orchestra of Opera North.
Being a favourite work, I was looking forward to buying this, but the samples on the Presto website have warned me off it. Eigen (Caractacus's daughter) is sung by Elizabeth Llewellyn, but in the Eigen/Orbin love duet, you could be forgiven for thinking she's Caractacus's mother, such is the off-putting vibrato. A great pity. I had similar issues with Sheila Armstrong on the Groves recording, but this new one is worse. Theresa Cahill was magnificent as Eigen on the radio broadcast conducted by Bryan Fairfax in the 1970s, as was Judith Howarth in the Chandos/Hickox recording.
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Originally posted by LMcD View PostApart from their musical merits, such bargains also serve as holiday souvenirs!
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Originally posted by Eine Alpensinfonie View PostThere's a new recording of Caractacus, conducted by Martyn Brabbyns with the Huddersfield Choral Society and the Orchestra of Opera North.
Being a favourite work, I was looking forward to buying this, but the samples on the Presto website have warned me off it. Eigen (Caractacus's daughter) is sung by Elizabeth Llewellyn, but in the Eigen/Orbin love duet, you could be forgiven for thinking she's Caractacus's mother, such is the off-putting vibrato. A great pity. I had similar issues with Sheila Armstrong on the Groves recording, but this new one is worse. Theresa Cahill was magnificent as Eigen on the radio broadcast conducted by Bryan Fairfax in the 1970s, as was Judith Howarth in the Chandos/Hickox recording.Don’t cry for me
I go where music was born
J S Bach 1685-1750
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Originally posted by Eine Alpensinfonie View PostMy favourite version of the cello concerto. But although recorded in stereo and appeared as such on LP, I believe the CD versions are mono, because of deterioration of the stereo master tapes.
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Originally posted by cloughie View PostI wondered because Mercury was linked with Pye- Nixa around this time and maybe also Everest who used 35mm.
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For any Elgarians who might be interested, here are some of the non-British performances of "Nimrod" to be found on YouTube ...
Boston Symphony / Andris Nelsons ...
This week’s performances open with “Nimrod” from Elgar’s "Enigma" Variations, performed in memory of Sir André Previn.
National Philharmonic of Russia / Stanislav Kochanovsky ...
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Simon Bolivar Orchestra / Gustavo Dudamel ...
Philharmonic Orchestra of Radio France / Mikko Franck ...
L'Orchestre philharmonique de Radio France dirigé par Mikko Franck interprète "Nimrod", extrait des "Variations Enigma" d'Edward Elgar. Concert de Noël enreg...
Chicago Symphony / Daniel Barenboim ...
Daniel Barenboim with the Chicago Symphony Orchestra, opening the 1997 season at Carnegie Hall in this gorgeously performed dedication to the recently deceas...
Czech Philharmonic / Leopold Stokowski ...
Stokowski conducts -- "Nimrod" from Elgar's 'Enigma VariationsThis CD features two 1972 "live" recordings in sumptuous Phase 4 Stereo. Unusually, Stokowski's...
Stokowski's is possibly the most refulgent version, due to his insistence on "free-bowing" in the strings.
Barenboim also played it with the West-Eastern Divan Orchestra and there's a curtailed performance from the Berlin Philharmonic which starts about half-way through and is accompanied by the usual facial grimacing on the part of the conductor, one S. Rattle. Also, Bernstein isn't included as he did it here with the BBC Symphony. Finally, according to the comments under the video, the Boston / Nelsons reading was an unrehearsed tribute to the recently deceased Andre Previn.
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Originally posted by Eine Alpensinfonie View PostI just get annoyed by the constant use of Nimrod as a bleeding chunk. It needs to be heard in context.
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