Originally posted by Eine Alpensinfonie
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Elgar (1857-1934)
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Originally posted by Barbirollians View PostAlso its use as a funereal piece - according to Michael Kennedy it was meant to be about discussing Beethoven sonatas on a summer evening with his best friend and publisher Jaeger !
As for the Beethoven, the first nine notes of the slow movement of the Pathetique appear cyphered into the melody. They're quite obvious, actually, once you are aware.
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Originally posted by gradus View PostI think the most moving performance of Nimrod I can recall was by the Israel PO under Barenboim at the Proms some years ago, as an encore and tribute to the recently deceased Jacqueline du Pre.
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Originally posted by Eine Alpensinfonie View PostMy favourite version of the cello concerto. But although recorded in stereo and appeared as such on LP, I believe the CD versions are mono, because of deterioration of the stereo master tapes.
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I've just bought a recording of the 'Starlight Express' and 'King Arthur' Suites, partly because the tune from the latter used by Anthony Payne in the 4th movement of the '3rd Symphony' lodged itself in my head and I thought I'd like to hear it in context, so to speak. Both really delightful works - I hope that doesn't sound condescending, as it isn't meant to be. Will I listen to them again - yes!
There's one memorable rhyme in the number 'O Stars Shine Brightly': 'T'other side of the garden fence …….. At the gift of sevenpence'
… and it was also comforting in these troublesome times to make the acquaintance of The Laugher who is 'the universal solvent of despair'.
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