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An interesting piece by Stephen Hough in today's Guardian. I can't find a thread for her (only 'Women Composers' ) so I'm creating this one. I had no idea about the scope of her success, nor of her life.
The other day we heard Steven Hough at the Wilts Music Centre in Schumann Fantasie and the Liszt B minor Sonata, as referred to in his article. In an absorbing programme he accompanied them not with Chaminade, which I might have liked to hear live for the first time, but with Chopin and one of his own compositions.
I first took notice of her when I acquired Anne Sofie von Otter's Gramophone Award winning album, Mots d' amour.https://www.prestomusic.com/classica...haminade-songs. Some critics dismissed the songs as mere sweet little ditties and resisted their delights. Certainly not deep or challenging but I was happy to succumb to them.
Having enjoyed pianist Mark Viner's Alkan recordings and read enthusiastic reviews, I also got his new Chaminade recording on Piano Classics
I first took notice of her when I acquired Anne Sofie von Otter's Gramophone Award winning album, Mots d' amour.https://www.prestomusic.com/classica...haminade-songs. Some critics dismissed the songs as mere sweet little ditties and resisted their delights. Certainly not deep or challenging but I was happy to succumb to them
Cecile Chaminade . . . I first noticed C C through none other than John McCormack singing one of her songs, thus leading me to acquire Sophie von Otter's Mots d'Amour. Our paths cross again, gurnemanz.
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