Originally posted by Pulcinella
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Scriabin, Alexander (1872-1915)
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Originally posted by Joseph K View PostI think I may have found the Rudy record, on youtube
Regarding the first generation of Soviet composers - I did once check out some Roslavets, though unfortunately it sounded like Scriabin devoid of the all the poetic/mystical/voluptuous etc. expressive elements. Any pieces of his or other composers that I should check out?
Rather than Roslavets, whose music always sounds less interesting to me than I hope it's going to be (it has its "revolutionary" aspects but the material seems vague and unmemorable), I was thinking of the three piano sonatas by Sergei Protopopov, and the quartertone Preludes by Ivan Wyschnegradsky. But I'm really not an expert on the repertoire, for that you'd have to go to Jonathan Powell.
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Originally posted by Pulcinella View PostJoseph: I wonder if you picked up a copy of the February 2022 BBC MM CD, with Garrick Ohlsson playing Sonatas 3, 8, 9, and 10 (Wigmore Hall, 2015), and Alexander Gadjiev playing some other pieces (Maida Vale, 2019), and if so what you thought of it.
https://www.classical-music.com/maga...february-2022/
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Originally posted by RichardB View PostRather than Roslavets, whose music always sounds less interesting to me than I hope it's going to be (it has its "revolutionary" aspects but the material seems vague and unmemorable), I was thinking of the three piano sonatas by Sergei Protopopov, and the quartertone Preludes by Ivan Wyschnegradsky. But I'm really not an expert on the repertoire, for that you'd have to go to Jonathan Powell.
Originally posted by Mandryka View PostI have it and I can let you have the files if you want. It's OK, just not shivery like Sofronitsky an Horowitz. Good sound.
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A few years ago Brilliant Classics brought out an invaluable 9CD compilation of mostly live recordings from Vladimir Sofronitzky. I snapped it up for not much money. It's still around secondhand
One disc is from a live recital at the Maly Hall of the Moscow Conservatoire in 1960 (according to MusicWeb he plays Scriabin's own piano). He married the composer's daughter. Wiki comments: "Having met Scriabin's daughter only after her father's death, Sofronitsky never met the composer. Nevertheless, his wife vouched that the pianist was the most authentic interpreter of her late father's works."
Sound is a bit clangy but certainly good enough to experience Sofronitzky's brilliant musicianship and have the feeling of getting close to the composer.
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Originally posted by gurnemanz View PostA few years ago Brilliant Classics brought out an invaluable 9CD compilation of mostly live recordings from Vladimir Sofronitzky. I snapped it up for not money. It's still around secondhand
One disc is from a live recital at the Maly Hall of the Moscow Conservatoire in 1960 (according to MusicWeb he plays Scriabin's own piano). He married the composer's daughter. Wiki comments: "Having met Scriabin's daughter only after her father's death, Sofronitsky never met the composer. Nevertheless, his wife vouched that the pianist was the most authentic interpreter of her late father's works."
Sound is a bit clangy but certainly good enough to experience Sofronitzky's brilliant musicianship and have the feeling of getting close to the composer.
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Originally posted by RichardB View PostI'm really not an expert on the repertoire, for that you'd have to go to Jonathan Powell.
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Originally posted by ahinton View PostJonathan most certainly is an expert in that repertoire and, for the record, has given several performances of the 10 numbered Scriabin piano sonatas in chronological order as a single programme with the first five in the first half and the others in the second (he's giving several of these this year to mark the composer's centenary); fo this listener, at least, it works remarkably on a second level, in that the experience is like listening to a single work that traces the composer's development as a piano composer. Peter Donohoe is another pianist who has given the 10 sonatas as a single programme but in a different order.
Perhaps I should stay in The Randolph, like Charlie's aunt. I don't think my old college will put me up.
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Originally posted by Mandryka View PostYou're making it very tempting to go but it's not obvious that I'll be able to get back to Victoria in time to catch the last train to Wimbledon. I really don't fancy the night bus on Saturday night, and my days of going to a club and then on for a bagel breakfast in Brick Lane on Sunday morning are well and truly behind me.
Perhaps I should stay in The Randolph, like Charlie's aunt. I don't think my old college will put me up.
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Originally posted by Joseph K View PostI think I may have found the Rudy record, on youtube - https://www.youtube.com/watch?v=ZpZD...DA1e8s&index=4
I currently have no. 8 on (no. 8 being my favourite Scriabin sonata, if I really had to choose). He's taking the opening at a slower than I'm used to tempo, which I like - relishing in those radiant, psychedelic harmonies.
Regarding the first generation of Soviet composers - I did once check out some Roslavets, though unfortunately it sounded like Scriabin devoid of the all the poetic/mystical/voluptuous etc. expressive elements. Any pieces of his or other composers that I should check out?
Personally I found the later Scriabin (after the remarkable Fifth Sonata) offered diminishing returns following initial intoxication, particularly in their harmonic domain with its (for me) over-dependence on that elaborated Tristan motif chord. Combined with a more symphonically developing way with form (and moving west!) it works well in middle period Szymanowsky - piano works such as the Métopes of 1915 and especially the Third Sonata of 1917, almost Bergian in its emancipation of chromaticism and pretty overwhelming, particularly in the fugal section which follows abruptly following the dreamy slow movement. I wonder to myself if these mid period works influenced our own Frank Bridge in his Piano Sonata of 1924; Bridge's Third String Quartet of 1926 is audibly indebted to Berg's earlier String Quartet (1910). After 1920 Szymanowsky's music tends towards a more consciously national style under the influences of Stravinsky and Bartok, influenced by political events. I would also recommend the Czech Josef Suk, for his 1908 piano suite Things Lived and Dreamed, which Berg is said to have admired, and the powerful symphonic poem Zrani, of 1917, which is voluptuopusness and power epitomised![/I]!
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Originally posted by Joseph K View PostAm currently listening to the Rudy Vers la flamme. Stupendous playing! Pure ecstasy. It makes me think I hadn't heard the piece before, but I know I had...
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