Philip Glass
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PT played some either this morning or yesterday - hard to tell them apart in the circs ;)
Am not averse to PG entirely, but a little goes a very long way. I can't help thinking it is not coincidental that the modern composers who go over best with the rock crowd such as PG, Steve Reich [who is fantastic and the real talent in that generation] and Michael Nyman, do so because their music is characterised by a regular pulse, or 'beat'.....
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Richard Barrett
Originally posted by Serial_Apologist View Post
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Originally posted by Richard Barrett View PostIndeed, someone whose pivotal importance for the history of western music is massively greater than Glass's, which is why I wonder at anyone flattering Glass by punning on their names...
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Originally posted by MrGongGong View PostIt was the last great thing he composed IMV
and now available as a stream
http://contemporaryperformance.com/2...-on-the-beach/
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Originally posted by MrGongGong View PostLet me know if you do
i'm meeting some folks tomorrow who would know how to do it
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HARRIET HAVARD
Glass, and minimalism itself, proved to be a blind alley. One work of his that I would suggest has stood the test of time though, is his opera The Making of the Representative for Planet Eight, written in conjunction with the recently deceased Doris Lessing, and taken from her book. While obviously minimalist in its construction, it still has a depth and substance missing from most other works in the genre.
As far as the rest of the works by Glass are concerned though, I have to agree with what seems to be the general opinion here. They have very little- if any- merit.
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Originally posted by HARRIET HAVARD View PostGlass, and minimalism itself, proved to be a blind alley. One work of his that I would suggest has stood the test of time though, is his opera The Making of the Representative for Planet Eight, written in conjunction with the recently deceased Doris Lessing, and taken from her book. ...
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amateur51
Originally posted by HARRIET HAVARD View PostGlass, and minimalism itself, proved to be a blind alley. One work of his that I would suggest has stood the test of time though, is his opera The Making of the Representative for Planet Eight, written in conjunction with the recently deceased Doris Lessing, and taken from her book. While obviously minimalist in its construction, it still has a depth and substance missing from most other works in the genre.
As far as the rest of the works by Glass are concerned though, I have to agree with what seems to be the general opinion here. They have very little- if any- merit.
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Originally posted by HARRIET HAVARD View PostUnless your message has some deep obscure message that has escaped me, I can only conclude that it is you who looking in the wrong place.
you are expecting Glass's music to contain things that it obviously doesn't
you are expecting the history of music to be a journey in a single direction
and your statement is clearly NOT true (come and have a listen to some of the stuff that appears on the Rock, experimental thread for example)
I'm in agreement with Bryn about his work
some of his early work is exhilarating and wonderful
the Operas (apart from Einstein) don't do it for me because they fall back on the conventions that the earlier music managed to break so brilliantly
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