Originally posted by salymap
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CotW Samuel Coleridge-Taylor
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Sean Creighton
SC-T Network
Originally posted by Pabmusic View PostNo - I have a recording and full scores of it all. I was commenting on Coleridge Taylor's music rather than Longfellow's poetry.
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It is a crying shame that they played the overly reserved Marwood/Brabbins version of the Violin Concerto . Lorraine McAslan's account with the LPO and Nicholas Braithwaite on Lyrita is in a different league . It comes across as a gorgeous work in their hands and really gives you some idea of why this man was so highly rated by his contemporaries .
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Originally posted by Barbirollians View PostIt is a crying shame that they played the overly reserved Marwood/Brabbins version of the Violin Concerto . Lorraine McAslan's account with the LPO and Nicholas Braithwaite on Lyrita is in a different league . It comes across as a gorgeous work in their hands and really gives you some idea of why this man was so highly rated by his contemporaries .
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I'm not buying any more CDs as I have some I haven't played yet. However, I do wish I knew more of SC-T's work, part from Hiawatha.
I am sure no-one played that just because he was black, or even came from Croydon [joke]. Sargent spent as much time and energy with his choir rehearsing the complete Hiawatha as he did on Gerontius or the B minor Mass and took it very seriously indeed. And choirs loved it and probably still do.
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Lateralthinking1
Originally posted by salymap View PostI'm not buying any more CDs as I have some I haven't played yet. However, I do wish I knew more of SC-T's work, part from Hiawatha.
I am sure no-one played that just because he was black, or even came from Croydon [joke]. Sargent spent as much time and energy with his choir rehearsing the complete Hiawatha as he did on Gerontius or the B minor Mass and took it very seriously indeed. And choirs loved it and probably still do.
This was a rare COTW in that I listened to every episode. It was interesting and informative. Coleridge-Taylor came across to me as a remarkably talented man with considerable integrity. Questions were raised in my mind about what were evidently contrasting attitudes to race in his lifetime. In his case, they didn't seem to be a huge barrier but a lot of that was probably down to him.
I do like the negro spiritual elements to his music. They are generally to the fore in what I have now selected on Spotify. However, I do like the Clarinet Quintet in F Minor too. I would both hope and expect there to be much else to enjoy.Last edited by Guest; 31-10-12, 20:02.
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Anna
Originally posted by salymap View PostSee the thread 'Sumptious was the feast' about the recent programme on the complete dramatised Hiawatha trilogy.
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Originally posted by Anna View PostCannot immediately find that thread but the Music Feature about Coleridge-Taylor's Hiawatha is repeated today 12.15-1.00. Well worth a listen if you missed it before.
I saw Hiawatha dramatized once, about 1955 ish but conducted by, I think, George Stratton.
I've probably mentioned this earlier on the thread but can't face the wade though it now.
bestio
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Anna
mercia, couldn't find that thread when I searched! I have it on Decca, Orch of Welsh National Opera (Helen Field, Arthur Davies & Bryn Terfel) coupled with Variations on an African Air, RLPO. Not given it a spin for ages, put it out for listening tomorrow.
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