The first programme gave a good overview of the 'phases' in Copland's career, showing how he arrived at a decision sometimes to adopt a simpler American-sounding style.
Copland
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Originally posted by richardfinegold View PostI always find it ironic that the Composer whose style is the most recognizably American ran afoul of the HUAC
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Originally posted by Heldenleben View PostYes - in his own way really a patriot in the non-Trumpian sense of the word .But did he overdo those fourths and fifths?
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The folk tune you are thinking of S-A is 'Old-Paint'. Virgil Thomson used it before Copland for the film score for 'The Plough that broke the Plains'. Roy Harris also uses one of the folk tunes from Hoe-Down in his roughly contemporary 4th Symphony (Folksong Symphony). Many of the US composers who cam to prominance in the 1930s & 40's have either never featured as individual composers of the week or have not appeared for 15-20 years or more. Creston, Diamond, Hanson, Harris, Mennin, Persichetti, Piston, Schuman & Sessions just for starters.
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Originally posted by Suffolkcoastal View PostThe folk tune you are thinking of S-A is 'Old-Paint'. Virgil Thomson used it before Copland for the film score for 'The Plough that broke the Plains'. Roy Harris also uses one of the folk tunes from Hoe-Down in his roughly contemporary 4th Symphony (Folksong Symphony). Many of the US composers who cam to prominance in the 1930s & 40's have either never featured as individual composers of the week or have not appeared for 15-20 years or more. Creston, Diamond, Hanson, Harris, Mennin, Persichetti, Piston, Schuman & Sessions just for starters.
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Originally posted by Serial_Apologist View PostIt's the corniness of the grandstanding, on the one hand, and the sentimentality, on the other, that also leaves me cold. My preference for a modernish American composer idiom is for Virgil Thompson, one of whose borrowed folk tunes - might have been from "Louisiana Story"? - was also used in Copland's Rodeo, heard today. All that said, Maya Angelou's rendition of "Lincoln Portrait" brought pleasure for the first time in hearing the work - my version having the male speaker competing for the very demagoguery she beautifully avoids against the orchestral grandiosity. I have managed to avoid the Thatcher version.
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Originally posted by Bryn View PostI have not checked the others but Roy Harris has certainly been the subject of at least one CotW:
http://downloads.bbc.co.uk/radio3/cotw/cotw.pdf
I think that some of the composers listed in the COTW figures have only appeared in this capacity too. Chavez & Reveultas for example were joint COTW not individually.
I don't think, like most data that R3 provide these days, that their list is particularly accurate.
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Originally posted by Heldenleben View PostIs there really a Thatcher version ? Tell me it ain’t so. I .
Here's what she meant to say in 1979
"Where there is harmony, may we bring discord. Where there is truth, may we bring error. Where there is faith, may we bring doubt. And where there is hope, may we bring despair."
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Originally posted by Heldenleben View PostIs there really a Thatcher version ? Tell me it ain’t so. I was trying to work out who the narrator was this lunchtime , thinking what a sensitive job they were doing.
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