Originally posted by Bryn
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Beethoven - an antidote to Composer of the Week
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Andy Freude
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Oakapple
This is from Prokofiev's diary for 1918. He was in Japan at the time.
Piastro's concerts are mainly interesting in that they represent attempts to play serious compositions to an alien population which is nevertheless starting to take an interest in European music. On the one hand, the attitude of the Japanese is extremely attentive, on the other it is obvious that with all their studious attention they do not understand anything and would not be able to tell whether what you were playing them was a Beethoven sonata or something improvised out of your own head. The things that engender enthusiasm are superficial effects like pizzicato, pearly runs on the piano, that king of thing.
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Originally posted by Heldenleben View PostWell done for flying the flag for music often wrongly judged to be “difficult” or only for an “elite.” If they were more people with your commitment I would be confident that Beethoven will still be as popular in 250 years time. I remember once reading that the biggest buyers of the DG Karajan Complete Symphonies were the Japanese - more evidence that LVB is like Shakespeare “not of an age but for all time .”
(Oh and, producing some of the best classical remasters too...)
(***great post Bella Kemp #42..... similar experiences here as musically-untrained LGBT.... terrible middle-class musical snobbery in the 1970s, nearly pushed me away....)
Beethoven for Everyone, for Ever!
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Originally posted by jayne lee wilson View PostAbsolutely - and they've been designing and making some of the greatest hifi on the planet for at least 50 years now, largely inspired by - Western European Classical Orchestral Music ....
(Oh and, producing some of the best classical remasters too...)
(***great post Bella Kemp #42..... similar experiences here as musically-untrained LGBT.... terrible middle-class musical snobbery in the 1970s, nearly pushed me away....)
Beethoven for Everyone, for Ever!
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Originally posted by gurnemanz View PostLike you, I'm looking forward to this year and will try to remain positive. In 1969/70 I spent a year in Germany as my year abroad from my German degree and experienced the full force of Beethoven's 200th anniversary celebrations in the country of his birth. As a student, I had a poster of Beethoven in Byronic stance on my wall on which I had written: “Vom Herzen, möge es wieder, zu Herzen gehen!” as B had said of his Missa Solemnis. I used to listen to it when I was depressed. 50 years on and retired, I recently took the time to work through Jan Swafford's tome, "Beethoven: Anguish and Triumph" fairly meticulously, (recommended on this Board), breaking off to listen to works as I went along.
I find this thread is a bit off-putting and negative and I have felt more like contributing an antidote to the thread rather than to the BBC programme. There are obviously countless other analyses of Beethoven's life and music available. Schama and Alsop are not "bloody idiots" and I am happy to hear what they have to say. The informal style isn't completely my cup of tea and I have not (yet) gained that many new insights but I have no sense of needing an "antidote", as if someone were trying to poison me.
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Originally posted by Andy Freude View PostIsn't the point that 'white Europeans' (in fact, not all of them, but some of them) have all the necessary advantages which introduce them to western classical music (though only a minority follow up sufficiently to 'get it'?). Other cultures have their own musics - I wonder if all people of Indian heritage appreciate Indian classical music? It's not that people from other cultures can't (for some inexplicable reason) appreciate western classical music as that their individual life circumstances haven't brought them sufficiently close to it to enable them to hear it in a sympathetic and encouraging environment. I don't really appreciate the classical music of other traditions, but I doubt that's due to a racial inability!
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Originally posted by Serial_Apologist View PostBut can't people at least consider, that devoting a WHOLE YEAR to Beethoven, at the expense of others - and as if at this very time when it is all coming unstitched, he might well appear to being portrayed as western music's redemption on behalf of the whole world - is a bit much?
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Originally posted by David-G View PostWell done your Trio! My Technics SL-110 turntable and my Spendor BC3 speakers will celebrate their 50th in 2022.
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Originally posted by David-G View PostWell done your Trio! My Technics SL-110 turntable and my Spendor BC3 speakers will celebrate their 50th in 2022.
With bass that's beautifully even, the BC III loudspeaker is still an enduringly well-balanced classic When the BC III was launched in 1973, Spendor’s ads described it as ‘An extension and refinement of the BC I and BC II’, while Thomas Heinitz, doyen of hi-fi consultants in those days, could not resist using the headline ‘Hey, big Spendor’. The BC III was rooted in Spencer Hughes’ work at the BBC: he was part of the legendary BBC research team, working under both D E L Shorter and H D Harwood.
.....the name came from...Spencer and wife Dorothy ...the "wide baffle" principle is still doing great musical things in the Harbeth designs of the present day; Dudley Harwood founded Harbeth, the name formed from his wife's, Elizabeth....sorry to go off thread (think of it as a noncommercial break), but have your Spendors ever needed a service?Last edited by jayne lee wilson; 17-01-20, 21:19.
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Forty-five year old Wharfedale Dentons not coming unstitched here.... They cope nicely with the extremes of Herr Beethoven's compositions (and just now that young Giuseppe Verdi's).
And btw (and to return to topic) I don't need an antidote to the COTW: I've found it illuminating, intelligent and articulate. I've been listening to Beethoven a tad longer than the Dentons, and I nonetheless find Simon S's and Marin A's commentary opens new vistas on the man and his music.
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Originally posted by David-G View Post...given that it is Beethoven and it is rather a special anniversary, it is not too much at all.
Daniel J. Wakin, NYT: https://www.nytimes.com/2020/02/04/a...-quartets.html
George Grella, New York Classical Review: https://newyorkclassicalreview.com/2...250-beethoven/
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