What Is a Symphony?
Beethoven Unleashed: Freedom and Joy
Week 21 of 26, commencing 16 November Available until 16 December
They have been described as “the most sublime noise that has ever penetrated into the ear of man”, “an expression of monumental intellect and innermost feeling”, and “music [which] sets in motion the machinery of awe, of fear, of terror, of pain.” There is no question that Beethoven’s nine symphonies changed music forever. The colossal legacy of these works has hovered over generations of composers since, leading Johannes Brahms to exclaim “You can't have any idea what it's like always to hear such a giant marching behind you!”
Over this week of programmes, Donald Macleod is joined by the conductor John Eliot Gardiner, founder of the Monteverdi Choir and the Orchestre Révolutionnaire et Romantique, to delve into the world of these nine sublime works.
In Monday’s programme they discuss Beethoven’s beginnings with the form, and his first two Symphonies, exploring what the Symphony was when Beethoven first came to write one, and what he did, even in these early works, to change it.
Beethoven Unleashed: Freedom and Joy
Week 21 of 26, commencing 16 November Available until 16 December
They have been described as “the most sublime noise that has ever penetrated into the ear of man”, “an expression of monumental intellect and innermost feeling”, and “music [which] sets in motion the machinery of awe, of fear, of terror, of pain.” There is no question that Beethoven’s nine symphonies changed music forever. The colossal legacy of these works has hovered over generations of composers since, leading Johannes Brahms to exclaim “You can't have any idea what it's like always to hear such a giant marching behind you!”
Over this week of programmes, Donald Macleod is joined by the conductor John Eliot Gardiner, founder of the Monteverdi Choir and the Orchestre Révolutionnaire et Romantique, to delve into the world of these nine sublime works.
In Monday’s programme they discuss Beethoven’s beginnings with the form, and his first two Symphonies, exploring what the Symphony was when Beethoven first came to write one, and what he did, even in these early works, to change it.
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