Monday
Like many writers, musicians and artists of Elizabethan times, the composer and virtuoso lute player John Dowland imbued his art-form with an exquisite melancholy. The beauty and simplicity of the melodic lines he created enchanted not only his contemporaries but also composers and performers of recent years. Donald Macleod introduces a selection of Dowland's own songs and lute pieces plus the first of two pieces by Benjamin Britten featured this week, based on one of Dowland's most popular songs and written for another virtuoso - Julian Bream.
Mrs Winter's Jump (arr Claire van Kampen)
Musicians of Shakespeare's Globe
Flow my tears
Iestyn Davies (countertenor), Thomas Dunford (lute)
My Lady Hunsdon's Puffe; Sir John Smith's Almaine; Farwell
Julian Bream (lute)
Sleep wayward thoughts; Come away, come sweet love; Come again, sweet love doth now invite
Consort of Musicke
Come heavy sleep
Iestyn Davies (countertenor), Thomas Dunford (lute)
Britten: Nocturnal
Sean Shibe (guitar).
Like many writers, musicians and artists of Elizabethan times, the composer and virtuoso lute player John Dowland imbued his art-form with an exquisite melancholy. The beauty and simplicity of the melodic lines he created enchanted not only his contemporaries but also composers and performers of recent years. Donald Macleod introduces a selection of Dowland's own songs and lute pieces plus the first of two pieces by Benjamin Britten featured this week, based on one of Dowland's most popular songs and written for another virtuoso - Julian Bream.
Mrs Winter's Jump (arr Claire van Kampen)
Musicians of Shakespeare's Globe
Flow my tears
Iestyn Davies (countertenor), Thomas Dunford (lute)
My Lady Hunsdon's Puffe; Sir John Smith's Almaine; Farwell
Julian Bream (lute)
Sleep wayward thoughts; Come away, come sweet love; Come again, sweet love doth now invite
Consort of Musicke
Come heavy sleep
Iestyn Davies (countertenor), Thomas Dunford (lute)
Britten: Nocturnal
Sean Shibe (guitar).
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