Surprised no one has mentioned this wonderful composer, who suffered neglect as an exile at the end of his life, having once taught Schoenberg and dated Alma Schindler, Mahler's missus-to-be.
The early music moves from a remarkably mature late-Brahmsian model (which attracted Johannes' attention, right at the end of his life, and also to the first quartet of Schoenberg), by way of Wagner and Richard Strauss, to a blending of the influences of late Mahler and early-to-middle-period Schoenberg and Berg, post-WW1. For those who love Mahler but find themselves in difficulty making the leap to Schoenberg's post-1907 work, Zemlinsky provides the link you might have given up searching for - an exceptionally rich, idiomatically generous outpouring of invention in variety, harmonic breadth and virtuoso orchestral scoring. The link below to today's highlight, Psalm 13, composed in 1935 and one of Zemlinsky's last works, requires Spotify, or you can await tonight's repeat at 6.40 pm aproximately, and of course the iPlayer repeats:
The early music moves from a remarkably mature late-Brahmsian model (which attracted Johannes' attention, right at the end of his life, and also to the first quartet of Schoenberg), by way of Wagner and Richard Strauss, to a blending of the influences of late Mahler and early-to-middle-period Schoenberg and Berg, post-WW1. For those who love Mahler but find themselves in difficulty making the leap to Schoenberg's post-1907 work, Zemlinsky provides the link you might have given up searching for - an exceptionally rich, idiomatically generous outpouring of invention in variety, harmonic breadth and virtuoso orchestral scoring. The link below to today's highlight, Psalm 13, composed in 1935 and one of Zemlinsky's last works, requires Spotify, or you can await tonight's repeat at 6.40 pm aproximately, and of course the iPlayer repeats:
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