Originally posted by Caliban
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Edmund Rubbra
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I really have to express my thanks to BBM for so graciously correcting me on my assessment of Rubbra's music as "sub-RVW". A week's concentrated listening can rectify many wrong preconceptions. I still think Rubbra's music would not have existed in its stylistic niche were it not for Vaughan Williams first having discovered much of the same harmonic language, especially adapted modes, of which I can hear several taken on board by the younger composer; but Rubbra also did many things with that language that clearly differed from its handling by Vaughan Williams, and that is the main point that distinguishes him in his own right, as not being in VW's shadow.
He was a randy old so-and-so, though, wasn't he! Still, it takes two to tangle, as Bristolians would say!
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I still think Rubbra's music would not have existed in its stylistic niche were it not for Vaughan Williams first having discovered much of the same harmonic language, especially adapted modes, of which I can hear several taken on board by the younger composer
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Originally posted by Brassbandmaestro View PostI don't think Rubbra is a sub-RVW at all. Quite individual and yes very unjustly neglected composer. The Violin Sonata I hadn't heard before. Very worthwhile work.
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