Donald Macleod explores Purcell's earliest contributions to the theatre, from a smattering of songs for plays in the 1680s, to his only 'all-sung' work for the stage which has eclipsed all his other theatre music - Dido and Aeneas. Privately performed before the composer had established himself in the professional theatre, it is now the only piece with a secure place in the modern repertoire.http://www.bbc.co.uk/programmes/b010xxrl
An excellent starting point:
The Early Music Show on The Fairy Queen on Saturday 7th May
Lucie Skeaping presents a programme exploring Purcell's semi-opera, The Fairy Queen, based on Shakespeare's A Midsummer Night's Dream. Purcell did not set any of Shakespeare's original text, and instead added self-contained masques in each of the acts, which include some of Purcell's finest music. Lucie plays musical extracts from each of the masques from various recordings, directed by Ton Koopman, Roger Norrington, Harry Christophers and Nikolaus Harnoncourt..
An excellent starting point:
The Early Music Show on The Fairy Queen on Saturday 7th May
Lucie Skeaping presents a programme exploring Purcell's semi-opera, The Fairy Queen, based on Shakespeare's A Midsummer Night's Dream. Purcell did not set any of Shakespeare's original text, and instead added self-contained masques in each of the acts, which include some of Purcell's finest music. Lucie plays musical extracts from each of the masques from various recordings, directed by Ton Koopman, Roger Norrington, Harry Christophers and Nikolaus Harnoncourt..
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