In Tom Service's article he states "The journey from Brahms’s First Symphony to his Fourth is from optimism to pessimism". Isn't this a bit of a generalisation? The beginning of Brahms 1 is hardly sweetness and light, one would have thought.
Brahms ... inexplicable innit
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Originally posted by Thropplenoggin View PostIndeed. A snip at £7.21, not like those £100+ 'bargains' that get posted. Tho' I expect many forum members own them already.
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Originally posted by Lento View PostIn Tom Service's article he states "The journey from Brahms’s First Symphony to his Fourth is from optimism to pessimism".
And what about Brahms 2 and 3, are they supposed to be intervening steps on the continuum from optimism to pessimism, with the second slightly more optimistic than the third?
AAMONI, I've just re-read Richard Osborne's notes to the Gilels set of Brahms PCs: a model of elegantly written prose; illuminating, intelligent and without the seemingly all pervasive need to come up with a soundbite.
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Originally posted by Sir Velo View PostGive us strength! There's a touch more to Brahms 4 than pessimism as well. Possibly, an inexorable, unyielding fate; but only pessimism? Surely a touch simplistic.
And what about Brahms 2 and 3, are they supposed to be intervening steps on the continuum from optimism to pessimism, with the second slightly more optimistic than the third?
AAMONI, I've just re-read Richard Osborne's notes to the Gilels set of Brahms PCs: a model of elegantly written prose; illuminating, intelligent and without the seemingly all pervasive need to come up with a soundbite.Last edited by Thropplenoggin; 14-05-14, 16:56.It loved to happen. -- Marcus Aurelius
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