Originally posted by french frank
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How much attention?
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Don Petter
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Originally posted by french frank View Post
We have 'invented' the context of the concert hall for playing serious/classical music. It isn't the same as the context for pop/rock gigs or jazz sessions. If we were telling people to shut up, keep still and listen in THOSE contexts, people might have a reason to object.
There seem to be a lot of misconceptions about jazz and its adherents on this forum!
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Roehre
Originally posted by Flosshilde View PostWhenever I've heard the jazz programmes (not JRR) on R3 the audience bursts into applause during performances, usually after someone has performed a solo.
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Originally posted by Serial_Apologist View PostThere seem to be a lot of misconceptions about jazz and its adherents on this forum!
Bristol South SDP used to meet in the Albert - Ian didn't charge for the room, but I don't know whether the jazz sessions were free or not. Nor whether alcohol was banned ...It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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Originally posted by Roehre View Post...which is the way in earlier times (and still continuing in Italy sometimes) opera singers are applauded during performances, drowning out the orchestral postludes completely.
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Originally posted by french frank View PostBlame the cinema. Maybe I am thinking of 'informal' jazz sessions in pubs, because I said: "We have 'invented' the context of the concert hall for playing serious/classical music". I don't associate jazz 'sessions' with 2,000 seat concert halls and people sitting side by side in long rows.
Bristol South SDP used to meet in the Albert - Ian didn't charge for the room, but I don't know whether the jazz sessions were free or not. Nor whether alcohol was banned ...
Sorry for taking this off-topic.
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Ah the vexed question of attention. If I've had no chance to listen and I start preparing a meal around 10 PM, Smooth Classics often goes on ..."a tune, I just NEED a TUNE!" The famous Bedside Tivoli has been a wonderful way of getting to know new music. I'm still trying with Ludus Tonalis, but I've got further listening to half the piece twice a day than if I'd tried to listen through on the Big Rig... all about time and energy really. Music-lover has many meanings.
Some of my best listening is done stumbling down unsleeping from bed at 0630ish, collapsing in the chair with a hot chocolate and pressing play on... this morning it was Schumann's lesser-known Overtures from Dausgaard, day before that Hindemith's Pittsburgh Symphony and Harnoncourt's 1841 Schumann 4....
The semi-conscious brain, headache or not, seems to respond more instinctively to sound and movement. Follows it all better. Sometimes the headache fades...
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