Originally posted by ferneyhoughgeliebte
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Rattle/BPO announce London residency in 2015
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Originally posted by ferneyhoughgeliebte View PostWhom do you believe you are kidding, Barbie? You are absolutely obssessed with this Music - you can't resist mentioning it at every possibility, regardless of whether it's germane to the topic Thread, hoping to convince yourself and everyone else that it isn't important to you. It has seaped under your skin into your imagination in the way that only great Art can do - you've become like a teenager denying that he fancies someone. Go on; admit it (you know you want to): you love Lachenmann!
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Originally posted by MrGongGong View Post
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Originally posted by Barbirollians View PostI will - the day Mr Pee declares his hatred for Sky , scottycelt comes out of the closet and JLW gives up all her sound equipment for a LG £60 ghettoblaster .[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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amateur51
This welcome slew of concerts is to celebrate Sir Simon at Sixty apparently
Now that makes me feel very old.
Rattle in Sibelius harks back to his CBSO days. I wonder if he is using these concerts as a calling card for his assumption as Chief Conductor of LSO - the Lachenmann suggests so - he was a great programmer of contemporary music in those days.
i greatly look forward to seeing and hearing more of Sir Simon in London in future
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Indeed, ams. Do you recall the Rattle Sibelius cycle at the QEH, early 80s? He also included a memorable double- bill of Poulenc's La Voix humaine with a heart- rending performance from Elisabeth Soderstrom, concluding with a witty and delicious Ravel, L'Enfant et les sortileges. Happy memories.
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amateur51
Originally posted by Stanley Stewart View PostIndeed, ams. Do you recall the Rattle Sibelius cycle at the QEH, early 80s? He also included a memorable double- bill of Poulenc's La Voix humaine with a heart- rending performance from Elisabeth Soderstrom, concluding with a witty and delicious Ravel, L'Enfant et les sortileges. Happy memories.
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Originally posted by Thropplenoggin View Post.... and think he has neutered the Klang of the BPO.
Reading this:
surprised me as to how long Rattle has been there [or will be if he sees out his current contract] and also how the orchestra changed its constitution in 2001.
Having said that I still remember the BPO sound in the RFH years ago when Karajan came. Effortless Power, Precision and Tone [or should that be Kraft, Korrekt und Klang?] - and the music wasn't bad either.
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VodkaDilc
This is a bit strange. My paper Guardian has a different account (on page 25) from the one mentioned in message 1. Mine is by Mark Brown and includes the phrase, 'arguably the world's best orchestra'. I took exception to that when I read it this morning; perhaps someone had second thoughts and changed it online. My experience at last year's Proms suggested that it was far from the best.
(I suppose every newspaper today might have undergone rapid revision in view of the major story announced last evening, so perhaps that explains the situation - though not the inflated claim.)
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Originally posted by Gordon View PostWhich Klang would that be Throppers? Nikisch, Furtwangler [twice], Karajan or Abbado? Not to mention Celibidache. Perhaps German mahogany [or should that be Mahagonny] has been tempered with English willow?
Reading this:
surprised me as to how long Rattle has been there [or will be if he sees out his current contract] and also how the orchestra changed its constitution in 2001.
Having said that I still remember the BPO sound in the RFH years ago when Karajan came. Effortless Power, Precision and Tone [or should that be Kraft, Korrekt und Klang?] - and the music wasn't bad either.It loved to happen. -- Marcus Aurelius
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Originally posted by Barbirollians View PostSounds far too musical for Lachenmann. I understood he had to drop his bow , scratch his or her back with it , scrape it along the music stand of the first violinist and then flick the back of the violin with a tuning fork .It loved to happen. -- Marcus Aurelius
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Originally posted by Thropplenoggin View Post... others could induce said Klang. The rot set in with Abbado.
So what were the properties of this Klang then? We're all aware of the VPO Klang obtained through training and having a set of dedicated instruments [in the strings at least] as well as those horns. What did the BPO up to Karajan have? By reading some biographies, notably those many Karajan ones, one can get an idea of what they we looking for and some of the means of doing it. The Philharmonia sound in the fifities was that of the Legge/Karajan ideal. Dennis B was forced to drop his favoured Raoux for an Alexander. I was never taken by the oboe sound of the BPO.
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