The Fitzwilliam played the quartet. I should enter a caveat emptor at this point: the 3rd quartet contains some of Britten's most harrowing music. You can hear a man clinging onto life by his fingernails in certain passages; gut wrenching. A stiff drink and upper lip are mandatory requirements for an audition.
Britten on BBC4
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Originally posted by Sir Velo View PostThe Fitzwilliam played the quartet. I should enter a caveat emptor at this point: the 3rd quartet contains some of Britten's most harrowing music. You can hear a man clinging onto life by his fingernails in certain passages; gut wrenching. A stiff drink and upper lip are mandatory requirements for an audition.bong ching
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amateur51
Originally posted by Caliban View PostI am precisely in the same position, 8tho & BS
Just the steers I was looking for, thanks
Sounds like a choice between the Takács & the Magginis, for me. Any views on their relative merits, IGI? And the Elias Quartet are very well thought of, iirc... any views?
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Originally posted by amateur51 View PostI've always rather enjoyed the recording by the Amadeus quartet who are the dedicatees of Britten string quartet no.3
I have the Amadeus recording c/w the 2nd Qt and the Sinfonietta, performed by members of the Vienna Octet, on a Decca The British Collection disc.
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amateur51
There is also an Amadeus quartet 'live' performance of Britten string quartet no 3 from the Schwetzingen Festival in 1977 - I haven't heard it but I am tempted ...
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Originally posted by Caliban View PostSounds like a choice between the Takács & the Magginis, for me. Any views on their relative merits, IGI? And the Elias Quartet are very well thought of, iirc... any views?[/COLOR]
I also reviewed the Elias disc of Quartets 2 and 3 and it is another excellent candidate to use for getting to know No.3.Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency....
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Originally posted by Flay View PostYes - it is a compliment, and is always received with good humour (often with a scowl or leer at the audience, generating a greater response).Our chief weapon is surprise...surprise and fear...fear and surprise.... Our two weapons are fear and surprise...and ruthless efficiency....
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For the benefit of anyone in the environs of Wigmore this Friday, there's a Britten Centenary Day.It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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Originally posted by Sir Velo View PostThe Fitzwilliam played the quartet. I should enter a caveat emptor at this point: the 3rd quartet contains some of Britten's most harrowing music. You can hear a man clinging onto life by his fingernails in certain passages; gut wrenching. A stiff drink and upper lip are mandatory requirements for an audition.
Here we go,another of my wierd thoughts,but in the last movement I always think of the words I'm dying when I hear that three note falling phrase,as you say,gutwrenching.
There's not a lot wrong with this set IMO.
For what it's worth (not much) I thought Billy Budd on the telly was brilliant.
Didn't know people went in for booing and such at the opera,I was quite surprised.
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Radio 4 seems to have gone Britten mad too
yesterday http://www.bbc.co.uk/programmes/b03hvn5q
today http://www.bbc.co.uk/programmes/b03hvqlf
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Stephen Whitaker
Originally posted by JimD View PostAn amusing moment on tonight's University Challenge when an excerpt from Britten's War Requiem was attributed by a team member to John Rutter. Well, it amused me anyway.
What about the a capella chant that was credited to Dvorak?
(By Paxo that is, not the contestants}Last edited by Guest; 20-11-13, 09:53.
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