Originally posted by BBMmk2
View Post
What Are You Practising / Composing Now?
Collapse
X
-
Originally posted by BBMmk2 View PostWhen I play rock music on keyboard, I usually have a backing download of the song I’m playing. Usually the hard copy I have has the chord sequence or passage, and I de elope that.
But, one's technique has to be up to a certain tempo, both physically and in terms of improvising ability. I'm at the stage - certainly with Giant Steps, if not things I'm more comfortable with like Stella by Starlight - where it makes more sense to practice improvising in a relaxed rubato manner, rather than in tempo.
However, probably my next purchase will be a Looper Pedal - so I can record my own chord sequences at my own tempo, and practice improvising over them. I am looking forward to how fun that will be.
Comment
-
-
Originally posted by BBMmk2 View PostThe loop pedal looks interesting?
It will be.
I've also started learning the Presto Double from the first violin Partita by Bach (B minor). I chose this because it is mostly bowed rather than slurred, unlike the Presto from BWV 1001, so that since I pick all the notes my phrasing is likely to mimic that of a violinist a bit more. And because I love Bach.
Comment
-
-
Originally posted by MrGongGong View PostRhubarb sounds
. the noise when growing
. the scream as they are tugged out
. the yelp when cut
. the seething as they are boiled
. the clink of spoon on plate as they are served
. happy gurgling sounds while being digested
. plop!
A whole suite. Or sweet...
.
Comment
-
-
Originally posted by vinteuil View Post... to include :
. the noise when growing
. the scream as they are tugged out
. the yelp when cut
. the seething as they are boiled
. the clink of spoon on plate as they are served
. happy gurgling sounds while being digested
. plop!
A whole suite. Or sweet...
.
Mostly the sounds of forced Rhubarb growing in the dark
Comment
-
-
Originally posted by cloughie View PostThanks!
From the same post Constantbee, did you do Grade 5 from scratch or do other grades building up to it?
I was talking to a local music teacher this afternoon about the ABRSM theory exams. We agreed that they can offer some sort of alternative to GCSE Music, now no longer available at our local schools, IF your family can afford private tuition. I have noticed, though, that very few music teachers enjoy teaching it. Opportunities sometimes come up to take it elsewhere, though. Our local dance school offered it as an evening class last year, for example.
An alternative for adult learners would be one of the OU's modular music courses, which they claim equates to ABRSM Grade 6. I went off the OU when they increased their tuition fees in line with mainstream university fee increases. Courses that were once affordable are now well beyond our pay grade. Certainly out of keeping with the ethos of the OU I used to knowAnd the tune ends too soon for us all
Comment
-
-
Originally posted by Constantbee View Post
I was talking to a local music teacher this afternoon about the ABRSM theory exams. We agreed that they can offer some sort of alternative to GCSE Music, now no longer available at our local schools, IF your family can afford private tuition. I have noticed, though, that very few music teachers enjoy teaching it. Opportunities sometimes come up to take it elsewhere, though. Our local dance school offered it as an evening class last year, for example.
but it's a small fraction of what GCSE (for all it's flaws) covers
But, sadly, no one in positions of power really gives a sh*t about music being stripped from education
and I was told "Saint Simon" was going to save us all ?
Comment
-
-
Originally posted by Constantbee View PostOops! Completely missed your post, cloughie. Terribly sorry So used to nobody taking any notice of me, you see In fact I went in at Grade 4. These exams are not cheap, so I was trying to avoid having to fork out for every grade.
I was talking to a local music teacher this afternoon about the ABRSM theory exams. We agreed that they can offer some sort of alternative to GCSE Music, now no longer available at our local schools, IF your family can afford private tuition. I have noticed, though, that very few music teachers enjoy teaching it. Opportunities sometimes come up to take it elsewhere, though. Our local dance school offered it as an evening class last year, for example.
An alternative for adult learners would be one of the OU's modular music courses, which they claim equates to ABRSM Grade 6. I went off the OU when they increased their tuition fees in line with mainstream university fee increases. Courses that were once affordable are now well beyond our pay grade. Certainly out of keeping with the ethos of the OU I used to know
Comment
-
-
Originally posted by Constantbee View PostOops! Completely missed your post, cloughie. Terribly sorry So used to nobody taking any notice of me, you see In fact I went in at Grade 4. These exams are not cheap, so I was trying to avoid having to fork out for every grade.
I was talking to a local music teacher this afternoon about the ABRSM theory exams. We agreed that they can offer some sort of alternative to GCSE Music, now no longer available at our local schools, IF your family can afford private tuition. I have noticed, though, that very few music teachers enjoy teaching it. Opportunities sometimes come up to take it elsewhere, though. Our local dance school offered it as an evening class last year, for example.
An alternative for adult learners would be one of the OU's modular music courses, which they claim equates to ABRSM Grade 6. I went off the OU when they increased their tuition fees in line with mainstream university fee increases. Courses that were once affordable are now well beyond our pay grade. Certainly out of keeping with the ethos of the OU I used to knowDon’t cry for me
I go where music was born
J S Bach 1685-1750
Comment
-
-
Originally posted by Joseph K View PostThis past week or so, I've had something of a break-through in my technique, my right-hand plectrum technique. The main movement of this is now definitely coming from the wrist, which is how it should be. So I can more easily play higher tempi than I could do before. Not only that, but my control of accents and phrasing is better. I'm still practising the Bach presto from the first violin sonata quite a lot, perhaps more than I'd like, but I have found that say, switching between playing the piece at 140 bpm with two notes per click and then playing the piece at 95 bpm with three notes per click is really good at learning to control accents and phrasing.
It's good when you know all those daily attempts and failures contribute to some small success.
Comment
-
-
Originally posted by Joseph K View PostIt's good when you know all those daily attempts and failures contribute to some small success.
I've been trying to help my daughter with her so-called composition homework and discovered that I'm unable to write anything that sounds convincingly like late 18th century Viennese classical style, I keep making the subsidiary material more "interesting" and always end up back in the baroque.
Comment
-
-
Originally posted by Richard Barrett View PostGood for you JK.
I've been trying to help my daughter with her so-called composition homework and discovered that I'm unable to write anything that sounds convincingly like late 18th century Viennese classical style, I keep making the subsidiary material more "interesting" and always end up back in the baroque.Don’t cry for me
I go where music was born
J S Bach 1685-1750
Comment
-
-
Originally posted by Richard Barrett View PostGood for you JK.
I've been trying to help my daughter with her so-called composition homework and discovered that I'm unable to write anything that sounds convincingly like late 18th century Viennese classical style, I keep making the subsidiary material more "interesting" and always end up back in the baroque.
Comment
-
Comment