Originally posted by vinteuil
View Post
Now, Rex Wimpleton-Clout's classic treatise on micropolyphony - 'Yawdle-Diddling-Diddlum-Dee: Many A Small Voice Sang Forthwith' - is sui generis. Failing that, Philippe Arraigne's 'Whither The Septimal Diatonic Semitones Of Yore?' (2nd ed, natch), is most nourishing: a pamphlet which eschews limpid harmonic discourse for something much more opaque and thorny. Therefore, a must-read (if you can locate a copy - only three are known to exist). And don't get me started on Diryck of Cobb's 'Mediæval Chordes For Thine Misericord'!
Comment