I've just watched this for the first time in many years, and although I remembered that there was a fair bit of Wagner used on the soundtrack, I'd forgotten quite how much, and indeed how many Wagnerian similarities there are. Siegfried's Funeral Music, in particular the Sword Motif section, is used a lot when Excalibur is drawn from the stone and whenever the Sword creates a particular moment of drama, the prelude to Tristan is used for the love scenes between Lancelot and Guinevere, and the Parsifal prelude is used during the quest for the Grail. Arthur indeed becomes, to all intents and purposes, Amfortas, and is revived by drinking from the Grail, which is found and brought back to Camelot by Percival.
I am aware that le Morte D'Arthur has many such similarities anyway, but the fact that Boorman chose to highlight them with the use of Wagner's music makes me think that he must have been deliberately highlighting the Wagner connections as well. I can only assume he must be a Wagnerian from this film!
The Wagner excerpts were specially recorded by the LPO and Norman Del Mar, and very fine they sound too.
And Nicol Williamson's turn as Merlin is an absolute hoot!
I am aware that le Morte D'Arthur has many such similarities anyway, but the fact that Boorman chose to highlight them with the use of Wagner's music makes me think that he must have been deliberately highlighting the Wagner connections as well. I can only assume he must be a Wagnerian from this film!
The Wagner excerpts were specially recorded by the LPO and Norman Del Mar, and very fine they sound too.
And Nicol Williamson's turn as Merlin is an absolute hoot!
Comment