Works you would love to hear performed live.

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  • Suffolkcoastal
    Full Member
    • Nov 2010
    • 3290

    #16
    Arnold: Symphony No 7 & 9
    Barber: Symphony No 2, The Lovers
    Bax: Symphonies 3 & 6
    Copland: Music for a Great City
    Corigliano: Symphony No 1
    Diamond: Symphonies 2 & 3
    Any Glazunov Symphony
    Hanson: Lament for Beowulf, Symphony No 4
    Harris: Symphonies 1, 5, 6, 7, 9 & 11
    Holst: The Cloud Messenger & Ode to Death
    any major orchestral work by Hoddinott
    Howells: Missa Sabriensis, Stabat Mater
    Holmboe: Symphonies 8 & 11
    Lilburn: Symphony No 2
    any Martinu Symphony, Epic of Gilgamesh, The Greek Passion
    Mennin: Symphonies 5 & 9
    any Miaskovsky symphony & Violin Concerto
    Moeran: Violin Concerto
    A Panufnik: Symphony No 3
    Piston: Violin Concertos 1 & 2, Symphonies 2 & 6
    Prokofiev: The Prodigal Son
    Rachmaninov: The Bells
    Rautavaara: Symphonies 3, 5 & 8
    any Rubbra symphony
    William Schuman Symphonies 3, 6 & 9, Credendum
    Sessions: Symphony No 7, Montezuma
    Shostakovich: Symphonies 4 & 13
    any R Simpson Symphony but esp nos 3 & 9
    any Tubin Symphony, Double Bass Concerto
    Vaughan Williams: Sancta Civitas & Dona Nobis Pacem
    any Vainberg Symphony
    Last edited by Suffolkcoastal; 04-10-13, 20:31.

    Comment

    • Petrushka
      Full Member
      • Nov 2010
      • 12251

      #17
      Originally posted by Alison View Post
      Bung in an overture though, Pet, please.
      It's already a long concert! I've never heard of the Parry overture suggested by Rob never mind heard it so in it goes!

      Another work I'd love to hear live is Sir Peter Maxwell Davies's St Thomas Wake: Foxtrot for Orchestra. Not heard at the Proms since 1977 (it was televised) and I fell for it immediately.
      "The sound is the handwriting of the conductor" - Bernard Haitink

      Comment

      • Simon B
        Full Member
        • Dec 2010
        • 779

        #18
        Apologies in advance to anyone irritated by a slight diversion of the thread, but here's the consequently inevitable but:

        Originally posted by Suffolkcoastal View Post
        Arnold: Symphony No 7& 9
        Copland: Music for a Great City
        Harris: Symphonies 1, 5, 6, 7, 9 & 11
        Holst: The Cloud Messenger & Ode to Death
        Howells: Missa Sabriensis, Stabat Mater
        any Martinu Symphony, Epic of Gilgamesh, The Greek Passion
        Piston: Violin Concertos 1 & 2, Symphonies 2 & 6
        Rachmaninov: The Bells
        William Schuman Symphonies 3, 6 & 9, Credendum
        Shostakovich: Symphony no 13
        Vaughan Williams: Sancta Civitas & Dona Nobis Pacem
        Numerous interesting choices there, as expected - some of which are (or would be had I not already tracked down performances at some point) on my larger list...

        Some of these do, just about, get the odd public performance in the UK. Obviously it's not practical for most to get about all over the country, but it does show it's not completely hopeless.

        For example, the BBCNOW are performing W Schuman 3, Harris 9 and Piston 6 in Cardiff this year.

        I'm fairly sure the Arnold 9 (and 7?) got a public performance at the time BBCPO/Gamba recorded it for Chandos, as I recall irritation upon discovering that I couldn't make it!

        BBCSO/Belohlavek played all the Martinu symphonies (and the Epic of Gilgamesh IIRC) at the Barbican not so long back.

        The Bells is fairly frequently performed (I'll be at the CBSO/Sinaisky performance in Birmingham at the end of this month). Likewise Shostakovich 13 (most recently and convincingly by RLPO/Petrenko in Liverpool in September, and I'm seeing it again at the RFH with LPO/Nezet-Seguin on Oct 26th).

        The RVW Dona Nobis Pacem gets the odd outing (I'll be heading to Leeds for this on 2nd November where it's paired with Elgar's Spirit of England - lovely programme IMO). Sancta Civitas has proved impossible to track down so far for me. It seems to be considered a "difficult" piece by RVW standards which has apparently condemned it to be largely unperformed.

        Holst's Cloud Messenger almost got a performance at the Dorchester EMF a few years back, but as far as I recall, there were subsequently wholesale changes to the programme due to financial constraints and this was one of the casualties. Is it therefore still to get its first professional public performance as was the case at the time the Hickox/LSO recording?

        The Howells Missa Sabriensis would be quite something, and the (admittedly much better known) Hymnus Paradisi made it to the Proms recently and to some acclaim, so you never know. Apparently it is exceedingly challenging for the choruses which hasn't helped...

        As far as I know, I've never knowingly encountered anyone else familiar with the Copland "Music for a Great City" before! Quite dark, edgy stuff IMO familiar from frequent listening on CD but I've never seen it programmed in the UK...

        I never thought I'd see the Brian Gothic, Korngold's F# symphony or Gliere's Ilya Muromets live either, but these have all been performed at the Proms in recent years, so there's always some hope!

        Comment

        • Suffolkcoastal
          Full Member
          • Nov 2010
          • 3290

          #19
          The BBNOW, are certainly among the more adventurous UK orchestras. When are the Schuman & Harris being done? I met travel across country for those!

          Just found them, the Schuman is on the 18th October, too soon to get time off, but the Harris is in mid November and a Tuesday, very tempted if I can get a hotel for a couple of nights, pit its encumbered with Adams Gnarly Buttons (one of my least favourite Adams works), but Diamond's Rounds and Rorem's Eagles are also well worth the trip.. Nice once too in December with the Piston Incredible Flutist, Hanson Elegy for Serge Koussevitsky (have a score of that beautiful work) and Randall Thompson delightfully engaging 2nd Symphony.
          Last edited by Suffolkcoastal; 04-10-13, 21:48.

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          • teamsaint
            Full Member
            • Nov 2010
            • 25209

            #20


            afternoons. Cheap tickets. tempting.
            I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.

            I am not a number, I am a free man.

            Comment

            • Simon B
              Full Member
              • Dec 2010
              • 779

              #21
              Oh, and since Arnold and overtures have been mentioned in near proximity, another "target" of mine is finally about to come up. Arnold's Peterloo overture has turned up on my music stand many times. I recall covering (on separate occasions ), timpani, snare drum 1, snare drum 2 + bells, bass drum (and even 1st and 2nd violin back in the ancient mists of time!)

              Not once, however, have I ever seen it programmed by a major orchestra. This is about to be corrected as the BBC Phil (and the Mancunian connection is of course as obvious as it could get with Peter Street being yards from the Bridgewater Hall) are opening their 12th October concert with it. What Juanjo Mena will make of it remains to be seen...

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              • pastoralguy
                Full Member
                • Nov 2010
                • 7759

                #22
                Originally posted by EdgeleyRob View Post
                May I suggest Parry's Overture to an Unwritten Tragedy ?
                Believe it or not, but I've played that piece on three separate occasions! Good work.

                Comment

                • pastoralguy
                  Full Member
                  • Nov 2010
                  • 7759

                  #23
                  Chausson's 'Poeme' for violin and orchestra. Never once encountered it in concert.

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                  • pastoralguy
                    Full Member
                    • Nov 2010
                    • 7759

                    #24
                    Moeran: Violin concerto.

                    I once played it for a BBC audition. "That sounds like a good piece" said the Principle conductor. "It would be great to hear it played really well..."

                    My fav. Recording is the great John Georgiadas.
                    Last edited by pastoralguy; 30-10-14, 17:29.

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                    • pastoralguy
                      Full Member
                      • Nov 2010
                      • 7759

                      #25
                      Many overtures - a staple that seems to have been lost by concert promoters recently...

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                      • Simon B
                        Full Member
                        • Dec 2010
                        • 779

                        #26
                        Originally posted by pastoralguy View Post
                        Chausson's 'Poeme' for violin and orchestra. Never once encountered it in concert.
                        And lo, it's on the programme of the BBC Philharmonic's concert on 16th November (in my diary since Walton 1 forms the 2nd half). Ok, so casually dropping into Manchester from Edinburgh isn't likely, but again, it shows it's not impossible!

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                        • Alain Maréchal
                          Full Member
                          • Dec 2010
                          • 1286

                          #27
                          Eduard Kuenneke's "Taenzerische Suite", perfect for John Wilson and that hand-picked orchestra. It requires a 1920s style jazz band as well as a symphony orchestra. It's addictive: if you doubt me a CD can be obtained quite inexpensively.

                          Buy German Composers Conduct (Berlin Po) by Various Composers from Amazon's Classical Music Store. Everyday low prices and free delivery on eligible orders.

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                          • amateur51

                            #28
                            Originally posted by teamsaint View Post
                            I would also love to see one of the Bliss Ballet scores performed as a Ballet.
                            Or even as a concert piece.
                            Adam Zero for preference.
                            Bliss opera The Olympians here, teams

                            Arthur Bliss (1891-1975): The Olympians, Opera in 3 Atti su Libretto di J.B. Priestley (1949).Atto I°I. IntroductionII. "Good morning Madame Bardeau" [03:36]...

                            Comment

                            • Nick Armstrong
                              Host
                              • Nov 2010
                              • 26536

                              #29
                              Fascinating thread, teamster! Many thanks, some things here I've never even heard of, let alone heard live!
                              "...the isle is full of noises,
                              Sounds and sweet airs, that give delight and hurt not.
                              Sometimes a thousand twangling instruments
                              Will hum about mine ears, and sometime voices..."

                              Comment

                              • teamsaint
                                Full Member
                                • Nov 2010
                                • 25209

                                #30
                                Originally posted by Caliban View Post
                                Fascinating thread, teamster! Many thanks, some things here I've never even heard of, let alone heard live!
                                Yep, as ever, the knowledge of board members is quite amazing.

                                Simon B's post was brilliant. I wondered if a thread dedicated to upcoming performances of rarely heard repertoire might be useful.
                                I guess most of us check London/our local venues/some that are easy to get to.
                                But SC for instance mentioned that he might go a long way to see some Harris or Diamond, and I guess that might apply to any of us in particular situations.
                                I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.

                                I am not a number, I am a free man.

                                Comment

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