Which conductor/performer/composer would you most like to have met?

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  • Richard Tarleton

    #31
    Originally posted by teamsaint View Post
    Gesualdo anyone?
    Well...perhaps not, but John Dowland definitely - his compositions, instruments, technique, his travels....probably one of the most interesting musicians of the late 16th-early 17th centuries. The SP on the court of Elizabeth.....Plus, we don't know what he looked like - no surviving portraits.

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    • ahinton
      Full Member
      • Nov 2010
      • 16123

      #32
      Originally posted by Beef Oven! View Post
      I played Busoni's piano concerto this evening. Not a piece that I've taken to down the years, but I really enjoyed it. Must play it more often.

      What is it about Busoni that makes you want to meet him?
      Everything, really! Whose performance of the concerto did you listen to?

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      • ahinton
        Full Member
        • Nov 2010
        • 16123

        #33
        Originally posted by Ferretfancy View Post
        Not a lot!
        Pardonnez-mois, mais le rosbif wasn't asking you!...

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        • Beef Oven!
          Ex-member
          • Sep 2013
          • 18147

          #34
          Originally posted by ahinton View Post
          Pardonnez-mois, mais le rosbif wasn't asking you!...
          That's a bit rich coming from you!

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          • Beef Oven!
            Ex-member
            • Sep 2013
            • 18147

            #35
            Originally posted by ahinton View Post
            Everything, really! Whose performance of the concerto did you listen to?
            Garrick Ohlsson, The Cleveland Orchestra and Men's Chorus, Christoph von Dohnyanyi.

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            • Barbirollians
              Full Member
              • Nov 2010
              • 11709

              #36
              Menuhin's mother so i could have locked her in a cupboard when Yehudi was having his lessons with Persinger.

              Du Pre and Barbirolli - and asked them to record the Dvorak Concerto pronto

              EMI music execs of the 1970s and persuaded them to record Ida H in the Beethoven, Brahms and Tchaikovsky , Mendelssohn etc

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              • ahinton
                Full Member
                • Nov 2010
                • 16123

                #37
                Originally posted by Beef Oven! View Post
                That's a bit rich coming from you!
                Sometimes le rosbif can be abit rich!...

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                • Richard Tarleton

                  #38
                  Originally posted by teamsaint View Post
                  Gesualdo anyone
                  Actually, just getting into Glenn Watkins' "The Gesualdo Hex", as discussed recently on the Early Music Show by the author talking to Catherine Bott - killing your wife and her lover was not only normal, it was obligatory.

                  ...women in late-Renaissance Italy were not allowed amorous dalliances. Spanish convention, which would have included Naples [i.e. Gesualdo], inclined to the killing of both the adulteress and her lover, the northern Italian tradition to killing only the wife. Thus custom held that a cuckolded male, and particularly a Neapolitan prince, had not only the right but the duty to protect the honour of the family name by murdering the guilty parties.
                  Watkins gives other examples from the time, including one known to Gesualdo. So we shouldn't get too hung up about it, it was perfectly normal though considered excessive today , there'd be lots more to talk to Gesualdo about....

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