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Without doubt, Robert Simpson's extraordinary Ninth conducted by Tod, described by the Penguin Guide at time as a "blockbuster of a Symphony" and I'll agree with that. One of the most impressive works of the 20th Century, and I was fortunate to attend the first London premiere with the Philharmonia under Simon Rattle. Uncle Bob is one of my favourite composers, and I've got all the symphonies and most of the string quartets.
Hyperion are an uniquely wonderful label and long may they flourish.
Hyperion are an uniquely wonderful label and long may they flourish.
"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
Without doubt, Robert Simpson's extraordinary Ninth conducted by Tod, described by the Penguin Guide at time as a "blockbuster of a Symphony" and I'll agree with that. One of the most impressive works of the 20th Century, and I was fortunate to attend the first London premiere with the Philharmonia under Simon Rattle. Uncle Bob is one of my favourite composers, and I've got all the symphonies and most of the string quartets.
Hyperion are an uniquely wonderful label and long may they flourish.
Do they still exclaim 'Hail, hail, Hyperion! ? (Or something like that).
Lots here - but just one would have to be, for me, something from Graham Johnson's complete Schubert songs - perhaps 3, with Ann Murray (which includes Nacht und TraĂ¼me)...or Mozart Clarinet Concerto & Quintet with Thea King on bassett clarinet...or Angela Hewitt's Goldberg or her Bach Arrangements
Without doubt, Robert Simpson's extraordinary Ninth conducted by Tod, described by the Penguin Guide at time as a "blockbuster of a Symphony" and I'll agree with that. One of the most impressive works of the 20th Century, and I was fortunate to attend the first London premiere with the Philharmonia under Simon Rattle. Uncle Bob is one of my favourite composers, and I've got all the symphonies and most of the string quartets.
Hyperion are an uniquely wonderful label and long may they flourish.
Both outstanding, Tony Faulkner engineered the Berwald, stunningly detailed and dynamic, (just a touch bright at the top end).
Don't buy many Hyperions compared to say CPO or BIS or Da Capo...
DELIUS/IRELAND Piano Concertos (Piers Lane/Lloyd-Jones)
SAINT-SAENS Piano Concertos (Hough/CBSO/Oramo)...
I revelled in The Parley Of Instruments "English Orpheus" series....so many delights, two of my favourites being the disc of English Classical Violin Concertos (with Elizabeth Wallfisch) and English 18th Century Keyboard Concertos (with Paul Nicholson). Plus lovely Catherine Bott in her excellent "Fairest Isle" disc.
anyway, anybody got any idea where a person might get to hear Robert Simpson's chamber music, prior to a prospective purchase?
Cheers.
Hyperion are deleting the Simpson string quartets and chamber music. Two discs have gone and are only available,on disc anyway, as a customer special order.
Last edited by soileduk; 15-09-13, 08:13.
Reason: Word blindness
I haven't got many Hyperion discs on my shelves but I do have Ronald Corp's excellent light music series and also a few of the discs featuring Westminster Abbey and St Paul's Cathedral Choirs. I came late to the English Anthem series with St Paul's and some are now regrettably deleted but there is much to enjoy in those I have.
"The sound is the handwriting of the conductor" - Bernard Haitink
Several gems in the Hyperion Schubert series. I'd recommend Antony Rolfe-Johnson's contribution and a young Matthias Goerne's disc of Schlegel settings.
There's the monumental Liszt series plus the three extra discs of 'discoveries'.
If you don't mind Haydn on the modern piano, Hamelin's Haydn sonatas are well regarded.
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