On not judging Furtwangler

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  • verismissimo
    Full Member
    • Nov 2010
    • 2957

    On not judging Furtwangler

    Thought-provoking piece about Furtwangler, Giulini and judgementalism:

    This is a story about a musician, but not about music. It is about you and me and especially all the loud voices in today’s world who not only claim to know what is right and what is wrong, b…
  • aeolium
    Full Member
    • Nov 2010
    • 3992

    #2
    Thank you for that article, verismissimo. It was interesting to see the clip on Horenstein's opinion of Furtwängler. I do think it is extremely difficult for people now to be judgmental about people's behaviour under totalitarian regimes and perhaps the judgement should be left to those who suffered.

    Comment

    • amateur51

      #3
      Thought-provoking indeed verismissimo - many thanks for the book link and for the link to the interview with Jascha Horenstein who I thought put his opinions very well

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      • Tony Halstead
        Full Member
        • Nov 2010
        • 1717

        #4
        Originally posted by amateur51 View Post
        Thought-provoking indeed verismissimo - many thanks for the book link and for the link to the interview with Jascha Horenstein who I thought put his opinions very well
        Yes thanks indeed, verismissimo. The Horenstein video was fascinating and very moving.

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        • Pabmusic
          Full Member
          • May 2011
          • 5537

          #5
          For those who don't know it, this is a must (a film of a stage play):

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          • aeolium
            Full Member
            • Nov 2010
            • 3992

            #6
            Originally posted by Pabmusic View Post
            For those who don't know it, this is a must (a film of a stage play):

            http://www.amazon.co.uk/Taking-Sides...s=taking+sides
            Yes, a very good film, Pabmusic. I remember seeing it in a cinema with 3 other people watching

            The other interesting film, particularly for its live footage of WF and interviews with players from the period, is Das Reichsorchester.

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            • Pabmusic
              Full Member
              • May 2011
              • 5537

              #7
              Originally posted by aeolium View Post
              Yes, a very good film, Pabmusic. I remember seeing it in a cinema with 3 other people watching

              The other interesting film, particularly for its live footage of WF and interviews with players from the period, is Das Reichsorchester.
              Yes, it is. I have that one, too.

              Comment

              • amateur51

                #8
                Originally posted by Pabmusic View Post
                For those who don't know it, this is a must (a film of a stage play):

                http://www.amazon.co.uk/Taking-Sides...s=taking+sides
                I saw the play when it was on in London (Daniel Massey as Furtwaengler) and I thought it was very interesting if not entirely satisfactory as a drama.

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                • Beef Oven!
                  Ex-member
                  • Sep 2013
                  • 18147

                  #9
                  Originally posted by verismissimo View Post
                  Thought-provoking piece about Furtwangler, Giulini and judgementalism:

                  http://drgeraldstein.wordpress.com/2...maria-giulini/
                  The moral perplexities of war, conscience and innocent soldiers. Do I load my rifle and use it, or do I do as my conscience tells me, knowing that my politically naive fellow soldier will get his brains blown out because he thinks I'm covering him as he moves as ordered?

                  Clearly Giulini's heart was in the right place.

                  P.S. very interesting link, many thanks
                  Last edited by Beef Oven!; 09-09-13, 11:00. Reason: Added a P.S.

                  Comment

                  • gurnemanz
                    Full Member
                    • Nov 2010
                    • 7304

                    #10
                    Originally posted by amateur51 View Post
                    I saw the play when it was on in London (Daniel Massey as Furtwaengler) and I thought it was very interesting if not entirely satisfactory as a drama.
                    We saw the same production in Bath Theatre Royal as a Saturday matinee and went afterwards to to Bath Compact Discs where I bought his famous Lucerne Beethoven Ninth.

                    I have understanding for Furtwängler who, as Horenstein says in the clip, was not a Nazi, naive certainly. My dear now deceased mother-in-law who told us how enthusiastic, like so many young German women in the 30s, she had been as a member of the Bund Deutscher Mädel (Hitler Youth for girls) and how shattered her father, a free-thinking artist, had been at her espousal of the regime. She was certainly not a Nazi, just taken in by them. Living in Leipzig, after the war she was required to pay lip service to the Communists who took over.

                    That article revealed a lot that was new to me about Giulini.

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                    • ferneyhoughgeliebte
                      Gone fishin'
                      • Sep 2011
                      • 30163

                      #11
                      Originally posted by gurnemanz View Post
                      That article revealed a lot that was new to me about Giulini.
                      [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

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                      • salymap
                        Late member
                        • Nov 2010
                        • 5969

                        #12
                        Ifyou haven't read it THE BATON AND THE JACKBOOT by his Secretary/Manager Bertha Geissmar is still a good read.

                        Apologies if it'sbeen mentioned here.

                        Comment

                        • ferneyhoughgeliebte
                          Gone fishin'
                          • Sep 2011
                          • 30163

                          #13
                          Originally posted by salymap View Post
                          Ifyou haven't read it THE BATON AND THE JACKBOOT by his Secretary/Manager Bertha Geissmar is still a good read.


                          Apologies if it'sbeen mentioned here.
                          No apology needed : it's an excellent book from both Musical and Historical viewpoints - and there's always someone reading who won't know about it.
                          [FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]

                          Comment

                          • richardfinegold
                            Full Member
                            • Sep 2012
                            • 7326

                            #14
                            This is a most interesting thread. I had no idea what Giulini did during the war except for some vague acknowledgement that he participated in a desultory fashion. It is interesting that he would become angry at the questioning of Furtwangler's character. Any Musician that hailed from an Axis Country would be sensitive about the issue after the war.
                            I was particularly fascinated by the Horenstein link. I have many JH recordings but my knowledge of his life is sketchy. I will have to search you tube for more Horenstein related fare.

                            Comment

                            • PJPJ
                              Full Member
                              • Nov 2010
                              • 1461

                              #15
                              Misha Horenstein, Jascha's nephew, has done a great deal to build up an archive of JH's life and work, and has an extensive Facebook page devoted to him. Well worth investigating.

                              By the way, and OT, Misha tells me the master for the Unicorn Mahler 3 currently cannot be found, so if anyone knows where it is, please let him or me know.

                              Jascha Horenstein. 1,394 likes. This page is dedicated to the life and work of the great conductor Jascha Horenstein

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