I've recently been listening for the first time to Schoenberg's cabaret songs, his Brettl-Lieder of 1901, and was struck by how strongly they foreshadow Pierrot Lunaire, which came eleven years later, in 1912.
And listening again to the Jane Manning/Nash Ensemble/Rattle recording from 1977 (was it his first?), that feeling is reinforced. What a great work - and what a performance!
And listening again to the Jane Manning/Nash Ensemble/Rattle recording from 1977 (was it his first?), that feeling is reinforced. What a great work - and what a performance!
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