A friend writes:
EMI started recording two elderly and not very widely-known conductors in the 1950s. One was Otto Klemperer, who EMI turned into a major international star, and the other was Carl Schuricht, whose EMI recordings of symphonies by Beethoven and Bruckner came and went almost without notice. His entire output has just been released in an ICON box. I think this is yet another illustration of the truth of the premise that one needs more than just an outstanding talent (which Schuricht undoubtedly had) to become a major star and even being on HMV Red Label with EMI behind him Schuricht failed to make any impression.
Thoughts? Worth resurrecting?
EMI started recording two elderly and not very widely-known conductors in the 1950s. One was Otto Klemperer, who EMI turned into a major international star, and the other was Carl Schuricht, whose EMI recordings of symphonies by Beethoven and Bruckner came and went almost without notice. His entire output has just been released in an ICON box. I think this is yet another illustration of the truth of the premise that one needs more than just an outstanding talent (which Schuricht undoubtedly had) to become a major star and even being on HMV Red Label with EMI behind him Schuricht failed to make any impression.
Thoughts? Worth resurrecting?
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