Originally posted by ferneyhoughgeliebte
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Absence of Double Bass in Chamber Music
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Thank you - unless (and I hope profoundly that this is not the case) illness is preventing him from playing, there is so great a need for Musicians of his calibre and generosity of spirit, and so little need for yet another "concert manager" that there should be questions raised in the House about why he's even considering such a change of career.
Back OT, there's also Saint-Saens' Septet Op65 for String Quartet, DB, piano and Trumpet - a charming, highly enjoyable piece.[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Originally posted by ahinton View PostIt is indeed; I will write to him shortly and try to put this to him in as discreet but firm a way as I can. It's rather like Heifetz deciding to stop performing at the age of 40 or Barenboim choosing to stop conducting at the age of 55...
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Nobody so far has mentioned ( unless I've missed the posting) two delightful works by SPOHR: the Octet in E for the very unusual scoring of violin, 2 violas, cello, double bass, clarinet and two horns; and the Nonet in F for wind quintet ( flute, oboe, clarinet, basson and horn), violin, viola, cello and double bass.
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Originally posted by waldhorn View PostNobody so far has mentioned ( unless I've missed the posting) two delightful works by SPOHR: the Octet in E for the very unusual scoring of violin, 2 violas, cello, double bass, clarinet and two horns; and the Nonet in F for wind quintet ( flute, oboe, clarinet, basson and horn), violin, viola, cello and double bass.
How I could have mistaken Schubert's Octet and Beethoven's Septet for the quintets for piano and wind by Mozart and LVB are a genuine example of a very senior moment.
My profound apologies and thanks for putting the record right.
HS
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Originally posted by Hornspieler View PostI was going to mention the Spohr works. A very underrated composer who unfortunately was around during the time of some very stiff opposition.
Has anybody heard the Hummel Piano Septet (Pno, Fl, Ob, Hrn, Vla, cllo, DB? The scoring (no Violin) sounds very interesting. Hummel's Military Septet also uses a DB,[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Originally posted by ferneyhoughgeliebte View Post
Has anybody heard the Hummel Piano Septet (Pno, Fl, Ob, Hrn, Vla, cllo, DB? The scoring (no Violin) sounds very interesting. Hummel's Military Septet also uses a DB,
The music is mellow and tuneful. Take note, though, that a fortepiano is used, and it sounds rather tinkly,
in the manner of fortepianos. Do not expect the sound of a modern piano.
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Originally posted by waldhorn View PostNobody so far has mentioned ( unless I've missed the posting) two delightful works by SPOHR: the Octet in E for the very unusual scoring of violin, 2 violas, cello, double bass, clarinet and two horns; and the Nonet in F for wind quintet ( flute, oboe, clarinet, basson and horn), violin, viola, cello and double bass.
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Originally posted by ferneyhoughgeliebte View Post
Has anybody heard the Hummel Piano Septet (Pno, Fl, Ob, Hrn, Vla, cllo, DB? The scoring (no Violin) sounds very interesting. Hummel's Military Septet also uses a DB,
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Originally posted by aeolium View PostAnother good contribution to the chamber music repertoire including double bass is Berwald's Grand Septet for clarinet, bassoon, horn, violin, viola, cello and DB. I first heard this on the Melos Ensemble ICON set (which I seem to keep mentioning these days )
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Originally posted by Russ_H View Post[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Recent sold-out concert at Ryedale Festival:
Chi-chi Nwanoku (double bass)
Christopher Glynn (piano)
Carroll ~ Fantasia
Keyper ~ Romance and Rondo
Koussevitsky ~ Chanson Triste
Hester ~ The Bull Steps Out
Leandre ~ Taxi!
Bottesini ~ Reverie
Walter ~ The Elephant's Gavotte
Dragonetti ~ Andante and Rondo
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Here's an inexpensive set which contains the Schubert and various other piano (in this case fortepiano) quintets featuring the double bass, for anyone interested in exploring some byways of early 19th century chamber music. I haven't heard it, so can't vouch for quality, but the repertoire looks interesting - I would particularly like to hear the Ries, as I very much enjoy the Naxos discs of his piano concertos released a few years ago.
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