Originally posted by teamsaint
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How do you convert a Mozart sceptic?
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Originally posted by EdgeleyRob View PostHope you had a good holiday ts,soon be my turn.
very nice break ta, and a couple of days off for some Folk Music at Wickham next weekend, so all good.
You off somewhere nice ER?I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.
I am not a number, I am a free man.
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Originally posted by teamsaint View Posthey, ER, How did you know I had been to the beach ? and where d'you get the piccies ?!
very nice break ta, and a couple of days off for some Folk Music at Wickham next weekend, so all good.
You off somewhere nice ER?
Google beach smileys,loads of 'em on t'internet.
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KipperKid
Originally posted by EdgeleyRob View PostAlanya in Southern Turkey,for 2 whole weeks from the 10th of August (yaaahoo).
Google beach smileys,loads of 'em on t'internet.
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Originally posted by Andrew Preview View PostHis view, and I've heard it from other people too, is that Mozart is just too darn polite and/or formulaic/obvious.
Mozart is the Fred Astaire of composers; he makes everything seem so easy that it's only when you try to copy him that you end up flat on your backside having made a complete ass of yourself in front of everyone. The reason why Haydn, Beethoven, Schubert, Schumann, Mendelssohn, Brahms, Tchaikovsky, Mahler, Schenker, Schönberg, Stravinsky, Messiaen, Stockhausen, Babbitt, Rosen, Bernstein, me and countless others revere his work is nothing to do with any merchandizing "hype" - it's because they've found, time after time after time, that the Music is even better than the hype.Last edited by ferneyhoughgeliebte; 27-07-13, 12:18.[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Originally posted by KipperKid View PostMid-August is the hottest time in that region and quite humid. Factor 50 sun cream and spend the hottest part of the day (11.00 - 16.00) imbibing plenty of fluids. I recommend Efes Pilsner (a new 100% Malt brew available this year) or Raki.
BTW have you bumped into BeefO yet ?
He's a member here and is in your part of the world,he'll be the one listening to Richard Arnell Symphonies.
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Originally posted by ferneyhoughgeliebte View PostMozart's "problem" is that he makes everything sound so "easy" that there are, indeed, many people who are deceived into thinking that his Music is "too obvious". The sub leties of his Music are astonishing: give one hundred Music Students one hundred minutes to harmonize the opening four bars of K488, and I wonder if any of them would come up with what Mozart does in the very second chord (unless they know the work, of course) - it's so simple, but so astonishing that Schumann nicked the gesture for the opening of his Piano Quintet (but made it louder, so that everyone would get the point). Stop the "Jupiter" Symphony after bar 76 and ask anybody who has never heard it before what happens next; again (with no evidence - someone really should do research on this sort of thing) I doubt that anyone could predict what Mozart does in the next 12 bars, let alone that the simple but unprecedented chord progression in bars 81 - 88 returns in the Finale. Or his superb use of "dovetail" phrasing, where phrase ends and beginnings overlap to magical effect - the opening of the Larghetto of the Clarinet Quintet (C F A F F E D, the last note ending the first phrase and starting the second; D G B G F E etc: the rising sequence of the pitches totally masked by the completely different rhythmic values given to the pitches). No wonder Schönberg regarded Mozart as second only to Bach (more, even, than Beethoven) in his list of composers with greatest influence on his own work.
Mozart is the Fred Astaire of composers; he makes everything seem so easy that it's only when you try to copy him that you end up flat on your backside having made a complete ass of yourself in front of everyone. The reason why Haydn, Beethoven, Schubert, Schumann, Mendelssohn, Brahms, Tchaikovsky, Mahler, Schenker, Schönberg, Stravinsky, Messiaen, Stockhausen, Babbitt, Rosen, Bernstein, me and countless others revere his work is nothing to do with any merchandizing "hype" - it's because they've found, time after time after time, that the Music is even better than the hype.bong ching
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Simon
Originally posted by David-G View PostThank you for clarifying that, Jean. That had not been clear to me, and I was very puzzled.
As regards the one you actually meant, it really wasn't intended to stir, though it was certainly intended to criticize. I've been away a while and was genuinely disappointed to read, on the first day, that somebody was thinking of leaving due to his treatment here. I do tend to write exactly what I feel, you know!
Now that this is clear, maybe best to let it pass....
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Simon
#155 what an excellent post, FHG, IIMSS. One to copy and retain, indeed. And so many more examples that you could have provided... K491 (esp. last movt.), would come to my mind immediately.
Thank you.
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Originally posted by ferneyhoughgeliebte View PostMozart's "problem" is that he makes everything sound so "easy" that there are, indeed, many people who are deceived into thinking that his Music is "too obvious".It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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KipperKid
Originally posted by EdgeleyRob View Post'ave it !!! and welcome KK.
BTW have you bumped into BeefO yet ?
He's a member here and is in your part of the world,he'll be the one listening to Richard Arnell Symphonies.
P.S. I haven't played any of Tony Arnell's music in a while, thanks for the reminder
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