Who or which have you not heard live that you'd like to?
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Originally posted by Zucchini View PostWell you trashed it Caliban, by getting excited about dead people. As a Host don't you feel that the OP and other readers deserve the courtesy of relevant contributions?Originally posted by ferneyhoughgeliebte View Postlike "Karajan, Celibidache, Klemperer, Rostropovich" as mentioned in the OP?"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Ahem. The OP actually read:
Prompted by another thread I realised that I've not heard Perlman or Zukerman live. I'd like to while I still can.
I missed the following (I did try for these):
Karajan
Celibidache
I missed (didn't get round to it):
Klemperer
Rostropovich
Besides individual performers there may also be groups - chamber musicians, or orchestras, or choirs. For example, I have heard the Amadeus Quartet and the Beaux Arts Trio, and the Cleveland Quartet and the Lindsays. I'm not sure about the Emersons. I'm sure there may be others where I lost out.
So, who or what would you still like to hear live? Would you like to hear them play anything in particular?
In the spirit of that OP, I would love to hear Pierre Boulez conduct a long concert starting with Tchaikovsky's Fantasy Overture, Romeo and Juliet, and closing with Messiaen's Turangalîla-Symphonie
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Originally posted by Bryn View PostAhem. The OP actually read:
In the spirit of that OP, I would love to hear Pierre Boulez conduct a long concert starting with Tchaikovsky's Fantasy Overture, Romeo and Juliet, and closing with Messiaen's Turangalîla-Symphonie
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Originally posted by Dave2002 View PostThanks Bryn. I could do Boulez too, though not sure about the Tchaikovsky. Turangalila Et expecto?
Though he used to make a good fist of Et expecto ... , more recently he just pushes on regardless of the composer's instructions re. waiting for the sound of the tam-tams to fully die away, for instance.
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Sorry to revive this. I couldn't keep my many programmes but kept ticket stubs and in the early days wrote on the back.
Was looking for the James Gibb concert. Couldn't find it but found these two specials......
Handel - Messiah- LSO - RCS-Sargent -FERRIER - PEARS - Morison -Walker. Iknew I'd seen those greats together. 26th March, 1948
FURTWANGLER - LPO -Gluck Alceste-Brahms Symphony no 4- Strauss-Till Eulenspiegel- Wagner-Prelude Tristan and Isolde. 18th March 1948.
What a month that was for me.
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amateur51
Originally posted by salymap View PostSorry to revive this. I couldn't keep my many programmes but kept ticket stubs and in the early days wrote on the back.
Was looking for the James Gibb concert. Couldn't find it but found these two specials......
Handel - Messiah- LSO - RCS-Sargent -FERRIER - PEARS - Morison -Walker. Iknew I'd seen those greats together. 26th March, 1948
FURTWANGLER - LPO -Gluck Alceste-Brahms Symphony no 4- Strauss-Till Eulenspiegel- Wagner-Prelude Tristan and Isolde. 18th March 1948.
What a month that was for me.
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How wonderful to have heard those greats .
Looking back over this thread I am sorry I never heard Ralph Holmes play - his Delius recordings were marvellous and he made a great case for the Hamilton harty concerto .
I keep meaning to buy one of his early HIPP Beethoven sonata recordings .Last edited by Barbirollians; 26-07-13, 18:05.
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Originally posted by Barbirollians View PostHow wonderful to have heard those greats .
Looking back over this thread I am sorry I never heard Ralph Holmes play - his Delius recordings were marvellous and he made a great case for the Hamilton harty concerto .
I keep meaning to buy one of his early HIPP Beethoven sonata recordings .
This June I had the chance to review a Dresden concert that included the Harty violin concerto conducted by Sir Neville Marriner. Instead I selected a Classical/Jazz crossover concert in Dresden played by the Matthew Barley Ensemble with Viktoria Mullova.
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hat you'd like to?
Prompted by another thread I realised that I've not heard Perlman or Zukerman live. I'd like to while I still can.
I can honestly say that in every one of the 10 or so concerts he slightly changed his 'interpretation' of the Concerto; it certainly kept us 'on our toes'.
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