Henri Dutilleux 1916 - 2013
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Thanks to the generous people on this board, I have been able to start discovering and enjoying his music in recent months. Sharing music is a very special thing.
RIP Henri.
I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.
I am not a number, I am a free man.
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How little of his music I know! Just one LP: "Cello concerto" and one CD: "Correspondances", "Tout un Mond Lontain" and "The Shadows of Time", are on my shelves and neither of them have been played for a very long time. Perhaps I will take off the endless Wagner, being played in recognition of the 200th anniversary, and have a little French experience.
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Was anything announced on R3? If not then that is appalling. I admire Dutilleux's music very much. His orchestral music is quite unlike anything else. Stylistically he took what he needed from other composers and moulded it into a highly personal style, one of the most distinct among composers in the 2nd half of the 20th Century.
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Originally posted by Suffolkcoastal View PostWas anything announced on R3? If not then that is appalling.
"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Originally posted by umslopogaas View PostHow little of his music I know!
In August 2011 BBC Four broadcast the Prom featuring his celebrated cello concerto 'Tout un monde lointain...'. A repeat of that broadcast would be a welcome tribute.Last edited by Boilk; 23-05-13, 11:41.
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These tributes are all very fine... but are any of you actually listening to more Dutilleux? Any reflections?
You're all listening to more Brahms aren't you!
With the symphonies, I've been comparing Barenboim and Tortelier - Tortelier is more spacious, poetic and atmospheric, Barenboim more physical, dynamic and dramatic (but feeling his way, a little hesitant, in No.1) ...but then along comes Munch in No.2 and (as so often) scoops the pool! Which he also does with his stunning Metaboles, finding remarkable colour and character in what might seem very abstract (if also expressionist). I loved Sacher's reading of Mystere de l'Instant, tight, textured and focussed, Tortelier's Grande Formation is beautifully recorded, but loses out a little in grip, immediacy and intimacy...
Waiting for further arrivals e.g. Baudo in No.1 (nary a download anywhere..) - and soon on (or back) to the concertos and last vocal/orchestral works... but what music it is, just -Last edited by jayne lee wilson; 02-06-13, 01:04.
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