American Master: A Portrait of John Adams 08 March'13 BBC4

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  • amateur51
    • Sep 2024

    American Master: A Portrait of John Adams 08 March'13 BBC4

    A one-hour programme considering the music of American composer John Adams

    Exploring the influences that have shaped John Adams's unique music.






    [Apologies for very late alert for this -- only just noticed it]
  • MrGongGong
    Full Member
    • Nov 2010
    • 18357

    #2
    I gave up on it i'm afraid
    I love some of his music
    and read his blog
    but I feel that he misses the point about what is interesting at times

    when I listen to pieces like Shaker Loops (and in a similar way Reich's Mallet Instruments , Voices & Organ etc ) I hear what was previously the "inside" parts of music re-positioned to be the outside , as if one takes some of the great internal wind parts of a Sibelius Symphony and opens them out so that one can hear the detail. BUT when it has a "melodic" part over the top in the form of a soloist or a singer with a narrative text THEN (for me ) it relegates the interesting thing to become a "background" again. What I love about some of this music is that there is no background/foreground and in some of Adams (and Glass and Reich) by returning to the traditional dynamic the music looses it's way and simply sounds like competently scored film music.

    Comment

    • nersner
      Full Member
      • Dec 2010
      • 33

      #3
      Is anyone going to see "The Gospel According to the Other Mary" at The Barbican on 16/3/13? Please let us know what it was like. Seemed quite similar to "El Nino" (especially the vocal forces) from the short extract.

      Comment

      • LeMartinPecheur
        Full Member
        • Apr 2007
        • 4717

        #4
        Enjoyable programme. Didn't transform my view of A's music (not a negative statement because I've always found him much the richest and most interesting of the American minimalists - possibly because he's not so extremely, simply Minimalist?) but because I found him personally deep and wide, somebody I'd like to meet and argue the toss with. Like which bits of Jung are he and his missus into??
        I keep hitting the Escape key, but I'm still here!

        Comment

        • Richard Tarleton

          #5
          Originally posted by LeMartinPecheur View Post
          but because I found him personally deep and wide, somebody I'd like to meet and argue the toss with. Like which bits of Jung are he and his missus into??
          Or his fictitious view of the Californian wilderness - the wholly false Ansel Adams/John Muir version of it as an empty space, a vessel for their sensibilities, and something to point a camera at - rather than a land quite densely occupied in places by its native American inhabitants before they were driven out (eg of Yosemite) in the name of wilderness....

          An engaging and thoughtful man nevertheless. I can listen to more of his orchestral/instrumental music than to that of other minimalists (generally I feel a knot of tension developing at the back of my head - a strong physiological reaction). The music worked well with the photography, though I wasn't clear why the sierras were being shown as a backdrop to music from the Death of Klinghoffer, perhaps I needed to understand the words.

          Comment

          • MrGongGong
            Full Member
            • Nov 2010
            • 18357

            #6
            He said something which I found rather odd about serial composers
            that the music was somehow "unemotional" and somehow "cold" (I think that was the word he used ?)
            to my ears Berg's music is often "too" emotional , if that is possible

            I guess others hear that music differently to the way I do .........

            Comment

            • Serial_Apologist
              Full Member
              • Dec 2010
              • 37361

              #7
              Originally posted by MrGongGong View Post
              He said something which I found rather odd about serial composers
              that the music was somehow "unemotional" and somehow "cold" (I think that was the word he used ?)
              to my ears Berg's music is often "too" emotional , if that is possible

              I guess others hear that music differently to the way I do .........
              Not as happens in my case...

              Interesting, your earlier comment about inner and outer musical processes, GG - I'd never thought of it that way.

              Comment

              • amateur51

                #8
                Originally posted by Serial_Apologist View Post
                Not as happens in my case...

                Interesting, your earlier comment about inner and outer musical processes, GG - I'd never thought of it that way.
                Oh he's not just a powerful advocate for Arbroath smokies, y'know

                Comment

                • MrGongGong
                  Full Member
                  • Nov 2010
                  • 18357

                  #9
                  Thanks

                  Re reading the post about "inside" and "outside" I think what I mean is that there is no concept of "inside" and "outside" , abandoning the concept of music having a melody with accompaniment is one of the things that the American "minimalists" took from studying other musics, there's something about it in Reich's Writings about Music book talking about Ghanaian drumming. One can hear a similar thing in Webern.

                  Comment

                  • BBMmk2
                    Late Member
                    • Nov 2010
                    • 20908

                    #10
                    i
                    i
                    i
                    know
                    know
                    know I knowI
                    Know
                    about
                    about#
                    John
                    #Adams

                    Adams
                    Don’t cry for me
                    I go where music was born

                    J S Bach 1685-1750

                    Comment

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