If this is your first visit, be sure to
check out the FAQ by clicking the
link above. You may have to register
before you can post: click the register link above to proceed. To start viewing messages,
select the forum that you want to visit from the selection below.
Maarja Nuut is a young woman from Northern Estonia whose vocals and amplified violin (and similar folkish instruments) render an ethereal and understatedly urgent captivating quality to Estonian folk music.
A splendid evening in a small basement venue, packed with around 50 people.
Many thanks for the steer MrGongGong
I was sceptical but listened with open ears & I agree with Beefo's illuminated comments
My wife still works (laudable) and I like to search out lunchtime concerts from time to time. Yesterday, I travelled to Oxford on bus pass (up-market Stagecoach with wifi) for lunchtime Lieder Festival concert. Enjoyable performances of Warlock, Poulenc and Schubert by Korean counter-tenor, Kangmin Justin Kim, including a hair-raising Doppelgänger. I took in the Henry Moore v Francis Bacon show at the Ashmolean. Bacon won.
Manero's Bar, Kingsland Road, Haggerston, Hackney, London.
The Goshawk Project is a musical venture between Carole Pegg vocalist/fiddle player, and Radik TĂĽlĂĽsh (Huun-Huur-Tu), Tyvan master musician, underdertone- and overtone-singing.
An unusual combining of English and Tyvan folk music.
Maarja Nuut is a young woman from Northern Estonia whose vocals and amplified violin (and similar folkish instruments) render an ethereal and understatedly urgent, captivating quality to Estonian folk music.
A splendid evening in a small basement venue, packed with around 50 people.
I really fancied the RFH Sao Paolo concert, but circumstances were against it.
Was the Guarnieri good?
Decent turn out from the public? Tickets were a little on the steep side. When I had a look, the balcony appeared either to be sold out, or not open.
The Guarnieri was really good. Marin Alsop introduced all works with a summary outline (including musical examples from the Sinfonia by the orchestra) and said that we'd detect a whiff of Copland, Harris, Bernstein and a few other American stalwarts (I detected Piston!).
It's a three movement piece with an intense lento framed by two energetic (and marked as such) outer movements full of forward momentum (my words, so don't ask what I mean!). I shall be seeking it out on CD at some point as it's a work I'd like to return to.
The balcony was not used, that's why it appeared unavailable on the theatre map. The stalls were 99.9% filled, but the lack of the need for the balcony shows you how conservative most people's taste is. We can't get them to move beyond their Elgar, Brahms, Mahler, Barbirollischetypenmusikefahrten etc(my German's crap!).
As you say, prices were steep, though not the steepest and if you booked your ticket over the 'phone, there was a healthy booking fee of ÂŁ2.75!!!
I like the little Guarnieri I have heard, (mostly a couple of PCs) time to look out the sympnonies, , although I am trying not to take on too much new music at one time at the moment.
A shame that they couldn't have flogged the balcony seats at ÂŁ5 a time to students or something.
Interesting that you say about conservative taste in audiences. The Brahms at the RFH a couple of weeks ago wasn't that well attended, although I suppose performances come up regular as clockwork.
Glad you had a great time. I don't suppose R3 recorded it?
I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.
Edit: What if R3 DID record it? what would that leave you credibility wise?!
Well, I'd be embarrassed, because there's a particular ppppppppianissimo passage in the lento of the Guarnieri symphony where you could hear a cockroach fart, and I got a text message!!!
Not really, I switched my 'phone off
I always panic at gigs, wondering if there's an alarm set on my 'phone that will go off during the performance. It happened to me at a confrerence a while back, but luckily never at a concert.
Well, I'd be embarrassed, because there's a particular ppppppppianissimo passage in the lento of the Guarnieri symphony where you could hear a cockroach fart, and I got a text message!!!
Not really, I switched my 'phone off
I always panic at gigs, wondering if there's an alarm set on my 'phone that will go off during the performance. It happened to me at a confrerence a while back, but luckily never at a concert.
I take the battery out, because mine tuns on if you even look at it.
Alternatively, if it goes off particularly loudly, I just stand up, say (audibly) " Try to keep the patient alive till I get there", and leave with head held high......
I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.
I take the battery out, because mine tuns on if you even look at it.
Alternatively, if it goes off particularly loudly, I just stand up, say (audibly) " Try to keep the patient alive till I get there", and leave with head held high......
Comment