What was your last concert?

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  • amateur51

    Originally posted by Caliban View Post
    Brahms Piano Concerto No 1 with Hélène Grimaud, and Brahms 1 - Philharmonia under Hannu Lintu.

    The latter proved an inspired stand-in for the ailing Nelsons. I thought his accompaniment of Grimaud was deft - we were well placed to see the way he worked with her - and it was a very good performance of the Symphony I thought, getting better and better and a really tremendous last movement. I loved the way he managed tempo changes, balancing real impetus and pulse, with deft phrasing and expression - and the were revelations for me in the way he handled that falling four-note theme that is introduced on the horn

    There was something about the way he got the various sections to phrase and exchange that theme which I found enthralling in a way I can't recall before - especially where it comes twice, descending, on all the violins, then handed to the horns.... Got me going, I don't mind saying! He's a galvanic presence on the podium too, I really like his style.

    And Mlle. Grimaud Beauty. Power. Precision. What more need one say?

    Pretty excellent evening in the RFH
    Sounds bostin, Cali

    Comment

    • Alison
      Full Member
      • Nov 2010
      • 6455

      Great stuff, Sainty. And there was me feeling a tad sorry for you in the wake of AN's withdrawal.

      It's hard to beat a winning performance of Brahms 1 :)

      Comment

      • teamsaint
        Full Member
        • Nov 2010
        • 25209

        Originally posted by amateur51 View Post
        Glad it went well, teams - was it your first time in the Choir at RFH? It's a bargain place to sit, I think if you want to feel really involved
        Thanks Ams.

        Yup, first time sitting up there, on good board advice.

        Think it possibly lost a little of the piano sound up there, but seriously, for £9.........unbelievable value, and a great view of Lintu.

        oddly, I had bought the last available seat in the choir, but there were quite a number of empty seats, including 3 either side of me. Make of that what you will !!
        I'd certainly sit there again.
        Have to say, I love the RFH.
        I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.

        I am not a number, I am a free man.

        Comment

        • verismissimo
          Full Member
          • Nov 2010
          • 2957

          Originally posted by amateur51 View Post
          Sounds bostin, Cali
          Had to look it up. "First rate" in current Brummy.

          Comment

          • amateur51

            Originally posted by teamsaint View Post
            Thanks Ams.

            Yup, first time sitting up there, on good board advice.

            Think it possibly lost a little of the piano sound up there, but seriously, for £9.........unbelievable value, and a great view of Lintu.

            oddly, I had bought the last available seat in the choir, but there were quite a number of empty seats, including 3 either side of me. Make of that what you will !!
            I'd certainly sit there again.
            Have to say, I love the RFH.
            The sideways seats in the Choir, which look at the orchestra from the side, give a different visual perspective again, often better for solioists.

            The seats in the Balcony right as the back (usually the last two rows) are priced the same as the Choir seats. I've always found the sound up there to be very good, much better than how you might imagine it to be if someone said to you "I can let you have a seat right at the very top and right at the very back".

            Comment

            • Nick Armstrong
              Host
              • Nov 2010
              • 26536

              Originally posted by amateur51 View Post
              The sideways seats in the Choir, which look at the orchestra from the side, give a different visual perspective again, often better for solioists.

              The seats in the Balcony right as the back (usually the last two rows) are priced the same as the Choir seats. I've always found the sound up there to be very good, much better than how you might imagine it to be if someone said to you "I can let you have a seat right at the very top and right at the very back".

              Yes, much better than the back stalls, underneath the balcony, which on the few occasions I sat there seemed to compress the sound from the stage, and reflect neighbouring audience members' bodily and other noises right back down and straight into my ears

              Ammy, weren't you with Uncle Bernie at the other place on Thursday night..? No reports yet on the DSCH4....
              "...the isle is full of noises,
              Sounds and sweet airs, that give delight and hurt not.
              Sometimes a thousand twangling instruments
              Will hum about mine ears, and sometime voices..."

              Comment

              • amateur51

                Originally posted by Caliban View Post

                Yes, much better than the back stalls, underneath the balcony, which on the few occasions I sat there seemed to compress the sound from the stage, and reflect neighbouring audience members' bodily and other noises right back down and straight into my ears

                Ammy, weren't you with Uncle Bernie at the other place on Thursday night..? No reports yet on the DSCH4....
                I was and all. I've got several concerts to report on at the moment, and I'm doing them chronologically. However suffice to say that it was an extraordinarily accomplished performance taken on the slow side and as an eager Bernie-watcher, I can report that he actually sat down between movements Some phenomenally virtuoso playing from LSO from all departments

                Comment

                • teamsaint
                  Full Member
                  • Nov 2010
                  • 25209

                  Originally posted by Caliban View Post

                  Yes, much better than the back stalls, underneath the balcony, which on the few occasions I sat there seemed to compress the sound from the stage, and reflect neighbouring audience members' bodily and other noises right back down and straight into my ears

                  Ammy, weren't you with Uncle Bernie at the other place on Thursday night..? No reports yet on the DSCH4....
                  certainly felt like that when I sat there. Still, I can think of worse places to be. (as the Stranglers said............)

                  Amsy must be putting together a giant sized review of his various outings............
                  I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.

                  I am not a number, I am a free man.

                  Comment

                  • Simon B
                    Full Member
                    • Dec 2010
                    • 779

                    Originally posted by amateur51 View Post
                    taken on the slow side
                    Not half! The concert, which proceeded without incident, overran by 25 minutes...

                    Comment

                    • Nick Armstrong
                      Host
                      • Nov 2010
                      • 26536

                      Originally posted by Simon B View Post
                      Not half! The concert, which proceeded without incident, overran by 25 minutes...
                      Crikey
                      "...the isle is full of noises,
                      Sounds and sweet airs, that give delight and hurt not.
                      Sometimes a thousand twangling instruments
                      Will hum about mine ears, and sometime voices..."

                      Comment

                      • teamsaint
                        Full Member
                        • Nov 2010
                        • 25209

                        Originally posted by Caliban View Post
                        Crikey
                        should have decided it on penalties instead.
                        I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.

                        I am not a number, I am a free man.

                        Comment

                        • EdgeleyRob
                          Guest
                          • Nov 2010
                          • 12180

                          Great stuff ts and Cals.
                          9 quid to see Helene Grimaud,blimey

                          Comment

                          • Simon B
                            Full Member
                            • Dec 2010
                            • 779

                            BBCPO/Midori/Mena just now...

                            Fairly standard, er, fare in some ways (nothing to frighten the horses) but starting with a paradoxically familiar (to me, anyway) rarity:

                            Arnold: Peterloo Overture
                            Walton: Violin Concerto
                            Prokofiev: Romeo & Juliet (11 numbers).

                            Good to finally hear a live Peterloo by a top flight orchestra. Arnold's style frequently encompassed a cracker of a tune and a dose of crash, bang, wallop, both of which in plentiful evidence here. Splendid percussion work, though the brass could have tried harder to compete once or twice. More concerts should start with an overture of this quality and impact IMO...

                            Midori has played the Walton several times at concerts I've been at in the last few years (CBSO/Nelsons at the Proms, RLPO/Petrenko and again tonight). I don't really know it other than that, and each time I've not really been able to get a proper hold on it. Is Walton's orchestral writing unsympathetic too much of the time? A struggle to hear her at times again tonight. Characteristic pungent Walton sonorities to enjoy though, and impressive volleys of notes from Midori in the plentiful virtuosic bits. Maybe this piece will click with me one day...

                            Yes, the Prokofiev is in the "heard it a million times" category, but once more is welcome when played like this. I'm warming to Juanjo Mena in the right repertoire, having not been on the same wavelength in numerous of his early concerts with the Phil. The pathos and dynamism of R&J was a great match. Ordering of numbers into a suite is always a problem as there's a tradeoff between nonsensical w.r.t the narrative and satisfactory shape in concert. Ending with Death of Tybalt makes no sense of the story, but played with such frenetic fury you couldn't really follow it.

                            The BBCPO has lost too many fantastic and hugely experienced players, mostly from the brass, for my (change resistant) liking but overall they've clearly still got it in this rep. And Paul Turner on timps is still worth the admission fee for me.

                            Presumably, to be broadcast on R3, sometime...

                            Comment

                            • hmvman
                              Full Member
                              • Mar 2007
                              • 1104

                              Originally posted by Caliban View Post
                              [COLOR="#0000FF"]From where we were sitting, Thomas Dausgaard looks exactly like... Father Ted I had to look elsewhere or shut my eyes - if I opened them and looked at him esp if he was emoting with mouth open, I was straight back to Craggy Island, the episode "Where Ted Dreams He's Conducting a Symphony Orchestra"... Are y'all right there, Ted?!?!
                              Saw Dausgaard conducting the RLPO at the Philharmonic Hall in Liverpool last Thursday week (10th). Not having been a Father Ted watcher I hadn't been struck by Dausgaard's resemblance until you mentioned it, Caliban!

                              It was a splendid concert though: Bruch Violin Concerto No1 with Henning Kraggerud as soloist followed by Mahler's 5th. I thought the Mahler a thrilling performance with then tension built all the way through until the final release at the end.

                              As we were guests of the sponsor I had the chance to have a chat to Dausgaard after the concert who came over as a very charming man.

                              Comment

                              • Beef Oven!
                                Ex-member
                                • Sep 2013
                                • 18147

                                Last night (22nd)

                                Goshawk Project

                                Maarja Nuut

                                Manero's Bar, Kingsland Road, Haggerston, Hackney, London.

                                The Goshawk Project is a musical venture between Carole Pegg vocalist/fiddle player, and Radik Tülüsh (Huun-Huur-Tu), Tyvan master musician, underdertone- and overtone-singing.

                                An unusual combining of English and Tyvan folk music.

                                Maarja Nuut is a young woman from Northern Estonia whose vocals and amplified violin (and similar folkish instruments) render an ethereal and understatedly urgent, captivating quality to Estonian folk music.

                                A splendid evening in a small basement venue, packed with around 50 people.

                                Many thanks for the steer MrGongGong

                                The Goshawk Project. 444 likes. English Trad meets Tuvan Roots


                                Last edited by Beef Oven!; 23-10-13, 09:22. Reason: Added clip of opening number (from different gig)

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