Beethoven; the complete piano sonatas

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  • BBMmk2
    Late Member
    • Nov 2010
    • 20908

    Beethoven; the complete piano sonatas

    This great ouevre of piano music, throughout his composing life, is quite an astonishing achievement, not equalled, imo, by any other composer si nce!

    Though, pianists do play these works so diffenrently,m tfrom one another, there is no one standard recording of a true way of playing these great works.

    I have Emil Gilels and Daniel Barenboim as conplete cycles.i was wondering though, re individual sonatas, what do boarders here reccomend, especially the later ones?
    Don’t cry for me
    I go where music was born

    J S Bach 1685-1750
  • verismissimo
    Full Member
    • Nov 2010
    • 2957

    #2
    As a cycle, BBM, I'm devoted to Gulda, now inexpensive on Brilliant.

    Comment

    • Roehre

      #3
      Originally posted by Brassbandmaestro View Post
      ....
      I was wondering though, re individual sonatas, what do boarders here reccomend, especially the later ones?

      op.101-111: Pollini on DGG 2CD-set.

      I concur with verismissimo: The Gulda complete set (Decca/Brilliant) is not to be sniffed at.

      Comment

      • rauschwerk
        Full Member
        • Nov 2010
        • 1481

        #4
        I compared the six versions of Op.111 from my shelves a year or so back and considered Pollini to be superior to Rosen, Lewis, Brendel (last recording) and Schnabel. My 'historic' choice was Kempff (mono from 1950s). Perahia must surely be worth considering - his coupling of sonatas 7/23 and 17/18/26 are excellent and he has recorded many more. Solomon's Les Adieux, the version I was brought up on, is magnificent. He actually makes the finale sound easy!

        Comment

        • BBMmk2
          Late Member
          • Nov 2010
          • 20908

          #5
          Okey doke! Domne!! What other recordings are there that boarders here like?
          Don’t cry for me
          I go where music was born

          J S Bach 1685-1750

          Comment

          • Madame Suggia
            Full Member
            • Sep 2012
            • 189

            #6
            Steer well clear of the early Kempf cycle on Regis, I come a cropper with this.

            The performances are wonderful but the dynamics are atrocious in places.

            Comment

            • JFLL
              Full Member
              • Jan 2011
              • 780

              #7
              Apart from the usual suspects (Schnabel, Brendel, Schiff, Pollini), I particularly like Eschenbach in the late sonatas.

              Comment

              • gurnemanz
                Full Member
                • Nov 2010
                • 7391

                #8
                I agree on Gulda. He's the one I am most likely to take off the shelf. Latest acquisition is the marvellous Lubimov on Zigzag in the final three. They are special and individual performances on an instrument similar to Beethoven’s last piano and I really do have the feeling it takes me towards to what the composer was actually hearing in his head.

                Comment

                • richardfinegold
                  Full Member
                  • Sep 2012
                  • 7668

                  #9
                  Richard Goode's cycle is very satisfying.
                  In the Moonlight and Pathetique &Op 31/3 I cherish Rubinstein. In the last 3 Sonatas Richter. Appassionata and Waldstein Horowitz or Annie Fisher.

                  Comment

                  • Julien Sorel

                    #10
                    Late sonatas - Charles Rosen (Sony), Maurizio Pollini (DG), Alexei Lubimov (Zigzag, fortepiano). 'Cycles - Arthur Schnabel (Naxos), Friedrich Gulda (various), Annie Fischer (Hungaroton), Ronald Brautigam (BIS, fortepiano), Rudolph Buchbinder (RCA 'live' recordings made in Dresden). Various sonatas on Globe played by Paul Komen on several period pianos are very good. Pollini's DG recordings of most (?) of the sonatas on individual CDs. Sviatoslav Richter (various labels / sonatas / locations).

                    Comment

                    • amateur51

                      #11
                      Originally posted by Madame Suggia View Post
                      Steer well clear of the early Kempf cycle on Regis, I come a cropper with this.

                      The performances are wonderful but the dynamics are atrocious in places.
                      Very sorry to hear this Madame Suggia because it's a wonderful cycle - it's available still from DGG



                      Also wonderful and ultra-cheap is the first (1960s) Brendel cycle on Brilliant, which gets a good review for the transfers as well as for the performances

                      Find helpful customer reviews and review ratings for Beethoven - Complete Piano at Amazon.com. Read honest and unbiased product reviews from our users.

                      Comment

                      • amateur51

                        #12
                        Originally posted by Julien Sorel View Post
                        Late sonatas - Charles Rosen (Sony), Maurizio Pollini (DG), Alexei Lubimov (Zigzag, fortepiano). 'Cycles - Arthur Schnabel (Naxos), Friedrich Gulda (various), Annie Fischer (Hungaroton), Ronald Brautigam (BIS, fortepiano), Rudolph Buchbinder (RCA 'live' recordings made in Dresden). Various sonatas on Globe played by Paul Komen on several period pianos are very good. Pollini's DG recordings of most (?) of the sonatas on individual CDs. Sviatoslav Richter (various labels / sonatas / locations).
                        i find that Pollini's brilliant pianism results in his missing the element of struggle overcome that I find so telling in the recordings of the later sonatas by Solomon.

                        Are the Naxos Schnabel transfers a good thing, Julien Sorel? I like very much the results that Andrew Rose has achieved for Pristine Classics
                        Last edited by Guest; 15-02-13, 15:43. Reason: trypo

                        Comment

                        • Barbirollians
                          Full Member
                          • Nov 2010
                          • 11706

                          #13
                          Originally posted by rauschwerk View Post
                          I compared the six versions of Op.111 from my shelves a year or so back and considered Pollini to be superior to Rosen, Lewis, Brendel (last recording) and Schnabel. My 'historic' choice was Kempff (mono from 1950s). Perahia must surely be worth considering - his coupling of sonatas 7/23 and 17/18/26 are excellent and he has recorded many more. Solomon's Les Adieux, the version I was brought up on, is magnificent. He actually makes the finale sound easy!
                          You need Solomon's Op111 !

                          Comment

                          • Barbirollians
                            Full Member
                            • Nov 2010
                            • 11706

                            #14
                            I don't have a full set but have the sonatas covered by a mixture of Paul Lewis, Perahia,Brendel, Gilels , Uchida and Solomon and am pretty happy with them . Solomon in particular is masterful and although the recording is ropey the Gilels Op 106 is stupendous .

                            Comment

                            • pastoralguy
                              Full Member
                              • Nov 2010
                              • 7763

                              #15
                              One of the first CDs I ever bought was Ashkenazy on Decca playing the popular 'named' sonatas. I've always had a real affection for it and it never fails to hit the spot.

                              Comment

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