Found a fascinating recording on youtube last night of Copland conducting his score for the 1961 film 'Something Wild'. Much of the score went into 'Music for a Great City' of 1964, but there is a considerable amount of music that is new, plus the odd idea reused from the 1960 Nonet. I had no idea that Copland had conducted let alone recorded the full film score. Will have to try and find out when it was made and if the original score survives. The film score is powerful, disturbing and for the most part, dark. As Music for a Great City is one of my favourite Copland scores, it would be wonderful to see if the original film score could be recovered and performed.
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Originally posted by Suffolkcoastal View PostFound a fascinating recording on youtube last night of Copland conducting his score for the 1961 film 'Something Wild'. Much of the score went into 'Music for a Great City' of 1964, but there is a considerable amount of music that is new, plus the odd idea reused from the 1960 Nonet. I had no idea that Copland had conducted let alone recorded the full film score. Will have to try and find out when it was made and if the original score survives. The film score is powerful, disturbing and for the most part, dark. As Music for a Great City is one of my favourite Copland scores, it would be wonderful to see if the original film score could be recovered and performed.
And there's even more, including a picture of Copland conducting the film score in 1961, in Copland since 1943, by Copland and Perlis.
Thanks for this, SC; I shall read and listen later today!
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Originally posted by Suffolkcoastal View PostI'll try & message the guy who uploaded the score to find out where it comes from. The uploaded score is in 11 sections lasting about 35 minutes.
Anyone interested in Copland should try to hear this. Thanks for drawing attention to it!
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Copland wasn't the composer originally intended for Something Wild - that was Morton Feldman, who produced a piece by Morton Feldman: gentle, fragile and tough in equal measure, and going against the disturbing visuals of the film in a way that Scorsese later used the "Intermezzo" from Cavalleria Rusticana to "accompany" the most violent, slow-motion film of the fights in Raging Bull. The director (Jack Garfein), lacking the imagination of either Scorsese or Feldman rejected the original score and asked Copland to write a replacement.
[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Originally posted by Pulcinella View PostSomething Wild, concerned a young girl's self-discovery.[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Originally posted by Pulcinella View Post
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