The 11th has, again on the Albany label. The performance is pretty good though it could have done with a larger body of strings and there are a couple of minor errors in the performance. I do have off-air recordings of 10, 12 & 13 but they haven't been commercially recorded. Inspite of what some books suggest there are only 13 numbered symphonies, plus the Symphony for Band & Symphony for Voices and an early Symphony 'American Portrait' which has never to my knowledge been publicly performed. There are a handful of other works that were parts of projected symphonies, that the composer turned in to other works e.g. Give Me the Splendid Silent Sun'.
American Classics
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amateur51
Originally posted by Beef Oven View PostI did not know that another recording of the 6th existed, I just sensed from the music I was hearing from the very first movement that the writing clearly has more in mind!
I have not listened to the 5th yet.
Good that the CSO performed this work fairly recently, but heart-breaking that beyond that, the trail goes cold.
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Originally posted by Suffolkcoastal View PostThe 11th has, again on the Albany label. The performance is pretty good though it could have done with a larger body of strings and there are a couple of minor errors in the performance. I do have off-air recordings of 10, 12 & 13 but they haven't been commercially recorded. Inspite of what some books suggest there are only 13 numbered symphonies, plus the Symphony for Band & Symphony for Voices and an early Symphony 'American Portrait' which has never to my knowledge been publicly performed. There are a handful of other works that were parts of projected symphonies, that the composer turned in to other works e.g. Give Me the Splendid Silent Sun'.Don’t cry for me
I go where music was born
J S Bach 1685-1750
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Black Swan
I have this recording on First Edition Music. Robert S Whitney and Lawrence Leighton Smith, Conductors with the Louisville Orchestra.
Kentucky Spring (1949)
Concerto for Violin and Orchestra (1949) with Gregory Fulkerson Violin
Symphony No. 5 (1942)
Both Kentucky Spring and the Violin Concerto are listed as World Premier Recordings, made in 1960, 1965 and 1985.
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Originally posted by Brassbandmaestro View PostForgive me SC, I presume we are talking about George Lloyd? if so, GL's Symphony No.10(Novemember Journeys), besides there being an orchestral brass recording, very ably played by the BBCPO BE,(although, the recording I find, is rather dry), there has been a transcription for bnrass band. I might add, a rather better recording, i have which is played by the top Welsh brass band The ?Cory Band, coducted by Robert Childs, on Doyen.
The Louisville account of the 5th is passable, but the 1st movement has several cuts and the Alsop Naxos recording is to be preferred. Yes the Louisville disc does include the delightful Kentucky Spring, which is a nice example of the lighter Harris. Harris's Violin Concerto is variable but has some fine moments. Harris used some of the material from this work in his 7th Symphony.
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Originally posted by Brassbandmaestro View PostForgive me SC, I presume we are talking about George Lloyd?[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Black Swan
Suffolkcoastal,
Totally agree on Kentucky Spring, I actually bought the recording after hearing Kentucky Spring on Radio 3.
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That was probably its only ever outing on R3 sadly. R3 also especially recorded another light and engaging work of his called 'Radio Piece' which I have on a priceless cassette as its never been commercially recorded, those were the days on R3 'sighs'. Harris gets a tiny but obsessed with the variations theme from Kentucky Spring which occurs in a number of other works including the 8th Symphony.
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I had been listening to a lot of Malcolm Arnold the past week, and then I listened to Walter Piston's 4th Symphony last night.
These two composers had a lot in common, IMO. Similar harmonic palate, sonority, chord progressions, and the feeling of being informed by jazz and pop music. Arnold broods a lot more and is very depressive, while Piston tends to radiate a sense of optimism, occasionally hard won.
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There are some very superficial similarities on occasion between Piston and Arnold, but in use of harmony and orchestration they are quite different. The basis of Piston's style is Gallic and composers like Roussel were a strong influence. Piston's harmonic sense is very precise and the orchestration very clean showing the classic Boulanger influence of the 'long line' in his composition technique. Piston's music is often highly expressive, and it is an expressiveness that draws you in gradually. Arnold is very much blunter in both respects, he hits emotionally very hard, often juxtaposing emotions in quick succession and using a very distinct manner of orchestration to enable you to follow what he wants to say and express.
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Originally posted by Suffolkcoastal View PostThere are some very superficial similarities on occasion between Piston and Arnold, but in use of harmony and orchestration they are quite different. The basis of Piston's style is Gallic and composers like Roussel were a strong influence. Piston's harmonic sense is very precise and the orchestration very clean showing the classic Boulanger influence of the 'long line' in his composition technique. Piston's music is often highly expressive, and it is an expressiveness that draws you in gradually. Arnold is very much blunter in both respects, he hits emotionally very hard, often juxtaposing emotions in quick succession and using a very distinct manner of orchestration to enable you to follow what he wants to say and express.
Piston's music does show a restraint that i would associate with French Composers, although compared to Arnold, almost any Composer appears restrained.
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amateur51
Originally posted by richardfinegold View PostInteresting. I have to admit I don't know Roussel's music at all, and I never really thought of Piston's music as having a Gallic influence. I presume that you are using Gallic more in the sense of the style of Les Six than the schools of Debussy and Ravel.
Piston's music does show a restraint that i would associate with French Composers, although compared to Arnold, almost any Composer appears restrained.
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Originally posted by amateur51 View PostYou can remedy this parlous state with confidence with this marvellous set at a great price, rfg
http://www.amazon.com/Albert-Roussel...Roussel+Deneve
US readers can also get it cheaply by looking at the marketplace sellers listings on the link previously provided by am51 at amazon.com.
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Originally posted by amateur51 View PostYou can remedy this parlous state with confidence with this marvellous set at a great price, rfg
http://www.amazon.com/Albert-Roussel...Roussel+Deneve
excellent--I really enjoy the Debussy set from Deneve/RNSO--just ordered the set for $15, including shipping--thanks
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