Originally posted by teamsaint
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American Classics
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Roehre
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Roehre
Originally posted by Suffolkcoastal View PostRuggles was a rather eccentric character to say the least! Certainly outspoken and prone to racist outbursts and plain rudeness. He had a very long life (1876-1971) but composed very little apparently destroying many of his earlier works. The style he arrived at in the 1920's is quite unique, it could be loosely described as atonal but isn't really similar to any of the other atonal composers. There is a great interest in the sonority of harmonies and various progressions. The MTT CDs contain all the surviving works that he wrote except an early piece for violin & piano entitled Mood, which is incomplete. Sun-Treader is his most important and impressive work, I also admire Portals for String Orchestra and Evocations originally for piano but later orchestrated by the composer, I prefer the piano original. Ruggles was also a rather prolific painter and I believe made more money from painting than music.
My reason for buying it was another (and IMO preferable) MTT recording of Sun-Traeder [be aware of the timpani at the beginning of the work, save your speakers and your relationships with neighbours ], which was released on DGG combined with Ives' 3 Places in New England (that's the Ruggles re-released on DGG combined with Schuman Violin concerto and Piston 2).
My experience with Ruggles is simply listen to the works as they appear on the CDs, it's only two hours of music varying between the brutal Sun-Traeder and the piano version of Evocations (the orchestral version is included too of course).
Sipping is perhaps recommended after a first playing through.
It is gripping music, going at your throat, likely to stay with you for some time.
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Originally posted by Roehre View PostThrough the Night Friday June 13th (coming Friday morning therefore): 12.54-1.11 am Guarnieri Symphony no.4
THe PCs 1-3 is a favourite disc of mine.I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.
I am not a number, I am a free man.
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Heitor Villa Lobos.
Bachianas Brasileiras nos 5/1/7.
RPO/Batiz /Hendricks /Fox.
Lovely singing from Hendricks. Not sure what I make of the works so far.Enjoyable enough on first listen, and certainly lots to think about.I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.
I am not a number, I am a free man.
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Roehre
Originally posted by teamsaint View PostHeitor Villa Lobos.
Bachianas Brasileiras nos 5/1/7.
RPO/Batiz /Hendricks /Fox.
Lovely singing from Hendricks. Not sure what I make of the works so far.Enjoyable enough on first listen, and certainly lots to think about.
It's also interesting to listen to the very different approaches to the handling of the orchestra in all those 9 BBs as well as the wide variety of themes, some Bachian (hence the name), some european, other unmistakingly brasilian (or at least latinamerican).
The concertos, the symphonies or for that matter the string quartets (Villa Lobos doesn't need the orchestral palette and bright colours to express himself) are much more unified in that respect.
My experience with villa Lobos: a bit uneven (and structurally sometimes very meandering), but hardly a dull moment and always interesting.
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Originally posted by Roehre View PostThough BB 5 is best known, IMHO it is certainly not the best. It's short, only 2 mvts and all those cellos with a soprano gives it an individual flavour. But the others are IMO more interesting, i.a. the more symphonic poem like no.2.
It's also interesting to listen to the very different approaches to the handling of the orchestra in all those 9 BBs as well as the wide variety of themes, some Bachian (hence the name), some european, other unmistakingly brasilian (or at least latinamerican).
The concertos, the symphonies or for that matter the string quartets (Villa Lobos doesn't need the orchestral palette and bright colours to express himself) are much more unified in that respect.
My experience with villa Lobos: a bit uneven (and structurally sometimes very meandering), but hardly a dull moment and always interesting.
I got interested in his music after hearing Choros # 10 a few years ago, and have been dabbling ever since.
A guide is welcome though, with his vast output, but, as you say, there is usually something to enjoy and keep the interest.
I'll bear your comments about handling the orchestra in mind. Thanks.I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.
I am not a number, I am a free man.
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Roehre
Originally posted by teamsaint View PostThanks for those thoughts, Roehre.
I got interested in his music after hearing Choros # 10 a few years ago, and have been dabbling ever since.
A guide is welcome though, with his vast output, but, as you say, there is usually something to enjoy and keep the interest.
I'll bear your comments about handling the orchestra in mind. Thanks.
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