Originally posted by french frank
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Howard Goodall on BBC Two
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Thropplenoggin
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Originally posted by MrGongGong View PostDeluded nutcases seem drawn in like moths
that would NEVER happen here , would it ?"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Originally posted by french frank View PostCrumbs! That's a terrible press from the commenters, isn't it? Somebody will pop and dismiss them as just that 'fanatical cult of ...'
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Originally posted by Thropplenoggin View PostIt seems that most of the commenters make the mistake of thinking Goodall wrote the article, where as in true Grauniad fashion, it's an interview cherry-picked to give whatever slant they feel like giving: here, Dvorak as proto-[insert latest à la mode rap star/DJ/MC], sampling and remixing avant le mot.
I just tremble when I see such comments, because they are instantly transformed into the "spluttering colonels" of a certain identifiable group of Friends ... I hate such attitudes as are expressed as much as anyone.It isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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Howard Goodall (or someone purporting to be him) has responded to the comments here: http://discussion.guardian.co.uk/com...alink/20855144 (scroll down the first page of comments and it's highlighted in blue).
OG
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Originally posted by Old Grumpy View PostHoward Goodall (or someone purporting to be him) has responded to the comments here: http://discussion.guardian.co.uk/com...alink/20855144 (scroll down the first page of comments and it's highlighted in blue).
OGIt isn't given us to know those rare moments when people are wide open and the lightest touch can wither or heal. A moment too late and we can never reach them any more in this world.
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Thropplenoggin
Originally posted by Old Grumpy View PostHoward Goodall (or someone purporting to be him) has responded to the comments here: http://discussion.guardian.co.uk/com...alink/20855144 (scroll down the first page of comments and it's highlighted in blue).
OG
I thought this comment by one 'jackstowaway"was funny:
"My, my, such vitriol! It reminds me of why I stopped browsing classical music forums--where posters seem less concerned with music appreciation than trumping each other in terms of declared sensibility and taste. ("Oh, dear God, not the 1954 recording!!")"
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Originally posted by ahinton View PostBut to omit even mention of the entire swathe of English immediate pre-Elizabethan, Elizabethan and immediate post-Elizabethan composers - including Tallis and Byrd, two of England's finest from any era - does seem very strange indeed.
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Originally posted by MrGongGong View PostSave us from worthy chronology .......... please
Imagine two observers, one seated in the center of a speeding train car, and another standing on the platform as the train races by. As the center of the car...
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A similar TV series was broadcast by the BBC in or around 1979, the narrator was Yehudi Menuhin. The Music Of Man. Some or all of it is on youtube with dreadful visual quality, starting
It will be an interesting comparison, which I haven't time just now to do.
A young, just graduated, at the time, TV in the bedsit, I have just vague memories of the TV series but was rivetted to it. Some years later I bought the book The Music Of Man in a charity shop. The book clearly separates text that are the words of Yehudi Menuhin and those of co-author Curtis W Davis.- - -
John W
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Lateralthinking1
Surely the responses are in two categories, not one? -
1. Classical music people who do not like Goodall linking classical music to pop music and could be perceived by some as elitist
but also
2. Pop music fans - whatever pop music is - who resent the idea of such links and consider him to be elitist and misinformed.
If his main argument is that the classics are the roots of most pop music, he will need to address the black roots of much of it and also the white folk music roots to convince.
But if he is saying that there are similar patterns in each, and arguably some elements of influence in the former on the latter because the former in some ways came first, that is different.
Such patterns - for example patterns of historical development or colour and tone or complexity and minimalism - would have commonality. The same is true of any kind of music and virtually anything else.Last edited by Guest; 27-01-13, 22:49.
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