Any biography is bound to discuss, or at least mention, how the subject died. What it should not do is present as fact something that is mere guesswork. All known facts (FACTS) should be weighed and considered. I'm not sure, from this extract, that Kildea does this, but I will reserve judgement until I've read the whole book - because I'm certainly going to read it, and Neil Powell's, too.
I think how Britten died is of interest. I don't think it matters. There's a difference. I'm not interested in the moral implications of the syphilis theory, because I don't think there are any. I am fascinated by Britten and by his music, and I want to know all I can.
What LT is on about I'm not sure, but I don't think it should stop the rest of us discussing Britten.
I think how Britten died is of interest. I don't think it matters. There's a difference. I'm not interested in the moral implications of the syphilis theory, because I don't think there are any. I am fascinated by Britten and by his music, and I want to know all I can.
What LT is on about I'm not sure, but I don't think it should stop the rest of us discussing Britten.
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