I’m waiting for a year when absolutely no anniversary occurs, and then I shall celebrate an absence of celebrations.
Britten and Wagner Anniversaries: Nothing to Celebrate?
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Mandryka
Originally posted by Mary Chambers View Post
I'm not anti-Wagner. He just doesn't, on the whole, write the kind of music I enjoy. Is that allowed?
Moving on somewhat.......I've always got the impression that Britten isn't much appreciated in his own country. 'Worthy, but best avoided....' seems to be the line that most people take (most Britons seem to feel the same way about Shakespeare, though). His pessimism doesn't help, I suppose (there is no bleaker opera than Billy Budd); I think it's significant that his most popular work (which I prefer to refer to as Variations On A Theme By Purcell) is also his least characteristic.
I ought to add that I like Britten a lot and I thoght even more highly of him after hearing the rehearsal sequence that's included in the current CD version of the War Requiem.
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Originally posted by Mandryka View PostI've always got the impression that Britten isn't much appreciated in his own country. 'Worthy, but best avoided....' seems to be the line that most people take (most Britons seem to feel the same way about Shakespeare, though). His pessimism doesn't help, I suppose...
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Originally posted by rauschwerk View PostI think it would be pretty hard to gather hard evidence to back up your impression. I have met plenty of singers who are grateful for War Requiem, Spring Symphony, Hymn to St Cecilia, Rejoice in the Lamb (not much pessimism there) and much else besides. I don't personally know anybody who regards Britten's music as merely worthy.
As for pessimism - what about Ceremony of Carols, Albert Herring, Spring Symphony, Midsummer Night's Dream, Noye's Fludde as well as The Young Person's Guide? Not one of those could be called remotely pessimistic.
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amateur51
Originally posted by Mary Chambers View PostNor do I. It's the last word I'd use.
As for pessimism - what about Ceremony of Carols, Albert Herring, Spring Symphony, Midsummer Night's Dream, Noye's Fludde as well as The Young Person's Guide? Not one of those could be called remotely pessimistic.
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amateur51
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Originally posted by amateur51 View PostI had a look through this beautifully produced book at Foyle's on London's South Bank, Mary and I can only echo your enthusiasm.[FONT=Comic Sans MS][I][B]Numquam Satis![/B][/I][/FONT]
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Originally posted by ferneyhoughgeliebte View PostDoes anyone know how much of this book overlaps with photos in Donald Mitchell's Britten: A Life in Pictures from the early '80s (published by Faber)?
When Pictures From a Life was published Peter Pears and Britten's older sisters and brother were all still alive, which probably limited Donald Mitchell's approach somewhat, or at least affected it.
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Mandryka
I was once told by someone who worked in the admin of Covent Garden that Britten was considered 'box office poison' and that his works tended to be staged there largely because he was that rare thing, an important British opera composer. I think that, yes, he is appreciated by musicians and singers but not really by the public at large, beyond aficionados.
Has anyone ever heard Peter Grimes in German? I bet it sounds great in that language.
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Peter Pears sang it in German in the early days - in Germany.
Britten is perceived by many as 'difficult'. I suppose if you want a nice simple boy-meets-girl story he is. Most of his operas are pretty complex, and thinking is necessary. All the same, I've known unexpected people be bowled over by Grimes and Billy Budd.
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