When I happened to be passing, I recently attended a lunchtime concert at St Martin-in-the-Fields for solo clarinet with Luca Luciano. It was very good indeed and it struck me that an unaccompanied solo wind concert must be something of a rarity. I just wondered whether any one had ever experienced a solo bassoon event.
Bassoonery
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Re #15
it's not often that the contrabassoon appears in solo guise (it doesn't often even turn up in performances of Mozart's Gran Partita).
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Originally posted by waldhorn View PostRe #15
No, indeed, Mozart's indicated bass instrument in the 'Gran Partita' is a double bass. How else could his 'pizzicato' instruction in a few places be realised?
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Originally posted by MrGongGong View Post18 messages and no mention of the great Vernon Elliot ? Probably one of the most widely heard (in the uk at least) bassoonists there has been ! Much of his music available on the wonderful Trunk Records (clangers , Ivor etc)
John Orford is rather good as well Imv
One concerto we have mentioned so far I think is the Hummel plus the Elgar Romance of course. I also have another written by Ellen Zwilich in 1992.
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Originally posted by MickyD View PostYou might expect me to say this, but some of the loveliest writing for bassoon can be found in the operas of Rameau.
Also I would be keen to try any modern bassoon music that uses extended technique, like the Gubaidulina mentioned by LMP in post #13, if there is any.
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Originally posted by gurnemanz View PostMe and the bassoon - two reminiscences:
1) About 40 years ago I bought a Supraphon LP of Vivaldi wind concertos with Milan Munclinger and Ars Rediviva, (still there in the garage). I remember loving the bassoon concerto. It's on Discogs: http://www.discogs.com/Antonio-Vival.../master/275026
2) A bassoonist from the Gewandhaus Orchestra lived in the flat above my girl friend (now wife) when I was teaching English in Leipzig in the 70s. He liked to practise in the morning, starting quite early. It would form a pleasant accompaniment to whatever we were up to at the time. Years later we met him again after a concert the Gewandhaus gave at the Proms.
My favorite bassoon movement is towards the end of I Of the Beethoven VC. After the cadenza, the bassoon reprises the main theme of the movement, and it just sounds so lovely compared to the preceding Violin pyrotechnics
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Some good bassoon writing in Haydn's Sinfonia Concertante, sometimes known as his Symphony No 105. It's a great piece IMO.
And for something completely different, Malcolm Arnold's Fantasy for Solo Bassoon; apart from anything else, a terrific example of how to compose just using a solo line.
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Originally posted by Beresford View PostCan you point me to some of the best bits, and performances?
Also I would be keen to try any modern bassoon music that uses extended technique, like the Gubaidulina mentioned by LMP in post #13, if there is any.
As for the Castor et Pollux, I have a lovely old Erato/Farncombe recording, but there are various other good ones, such as this with Agnès Mellon and Les Arts Florissants: https://www.youtube.com/watch?v=36NnC4sgOOg
This was my first intro to the baroque bassoon, I still love this disc:
Last edited by MickyD; 05-02-18, 07:20.
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