Originally posted by 3rd Viennese School
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Shostakovich 4: anyone else got a 'problem piece' by a beloved composer?
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Originally posted by ahinton View PostGood points except that it simply doesn't sound like a young man's work; despite being completed before he attained the age of 30, it confidently and assuredly wears the cares and experiences of a lifetime on its broad shoulders and has an emotional maturity, breadth and sheer power that comes across to this particular listener as just as astonishing as anything else about this symphony!
Oh, and Shosty like so many was surely made wise beyond his years by the incredible times he lived through.I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.
I am not a number, I am a free man.
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Originally posted by teamsaint View PostGood points.That is surely often the extraordinary thing about creative young talent...we are amazed at an understanding apparently way beyond their years...everybody from a Shakespeare to Bob Dylan. I am convinced we will learn much about this with better understanding of left/right brain relationships.
Oh, and Shosty like so many was surely made wise beyond his years by the incredible times he lived through.
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roberta
Originally posted by ahinton View PostWhilst this is no doubt true, I don't think that he personally experienced much of those negative aspects of those times that were to dog him for much of the remainder of his life until shortly before embarking on the Fourth Symphony; that said, he may well have known something about the earlier maltreatment of Roslavets and possible others among his compatriot musicians (I understand that, later in his life, when the then deceased Roslavets still "enjoyed" non-person status in his native land, Shostakovich - and no doubt others - were given orders never to mention his name in public or in classrooms, though quite how much notice Shostakovich took of this diktat remains uncertain)...
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Originally posted by Petrushka View PostTypically great post from Jayne (no 22) and also from A Hinton (no 2).
I have a big interest in Russian history of the Stalin years and find that a reading of Robert Conquest's The Great Terror, Orlando Figes' The Whisperers and -yes - Testimony will pay dividends if you really want to get under the skin of this symphony. It is a great sprawling masterpiece and I love it.
My problem child? Bruckner 2. I've tried, goodness me I've tried, but it simply will not 'gel'.
My problem child is Mahler's 8th. I love all the other symphonies and have never made it through a single playing or performance of the Symphony of a kazillion without nodding off.
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Originally posted by teamsaint View PostWell I got a lot of Flak , sorry advice , about this the other day, but Brahms 2 just doesn't do it for me.
However. I shall be addressing this issue in the long winter months. And he is one of my favourites.
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Originally posted by roberta View Postdear ahinton, we surely started something with our innocent comment on the other thread the other day about the concert on radio 3 in the afternoon!!
(Mon Dieu! Why do fora put up with people like me?!)...
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Originally posted by cloughie View Postts as a sensitive, long-suffering Saints follower I would have thought that Brahms 2 was just the thing to soothe you after another 'some you win. some you draw' day!I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.
I am not a number, I am a free man.
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Good post, ER.(like the box too).
I have listened to it twice in two days...and have some thoughts.Anyway, its really helped me to clarify what I think about it, even if I am wrong !!!
(PS weekend....Hurrah !!)I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.
I am not a number, I am a free man.
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Originally posted by HighlandDougie View PostFF
Which of the Rozhdestvensky recordings? There appear to be at least 3 in circulation (live with the Philharmonia from the 1962 Edinburgh festival; with the USSR Ministry of Culture Symphony Orchestra; and with the Bolshoi Orchestra). Very happy to try all three but any steer you can give would be most welcome.
HD"The sound is the handwriting of the conductor" - Bernard Haitink
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roberta
Originally posted by ahinton View PostUm - did we? I've been awake (or now what passes for awake) for more than 27 hours now so I'm abit hazy right now about what it was that I wrote where; please forgive me (and point me in the appropriate direction, s'il vous plaƮt!) so that I can have another look!...
(Mon Dieu! Why do fora put up with people like me?!)...
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Originally posted by amateur51 View PostIt's the tax advice in the style of Henry James wot does it, ah
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