Are You A 'New World' Symphony Snob?

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  • ahinton
    Full Member
    • Nov 2010
    • 16122

    #31
    Originally posted by Hey Nonymous View Post
    Janáček was rather hostile to Smetana's music (especially The Bartered Bride!) but sympathetic to Dvořák's. I can hear that in the late tone poems, I think (which I believe Mahler conducted). My feeling with Dvořák is there's a psychological almost need to do the correct thing in terms of symphonic form which, for me, makes the music rather dull. Sorry.

    Works I do like are the 'Dumky' and F minor piano trios, the first two movements of the 3rd symphony which is full of strange ideas I wish he'd given free range to, to a degree thev 7th symphony and the last string quartets. I've not heard the 'cello concerto in a while ....

    At a tangent, Smetana's piano music is well worth investigating.
    It is indeed, as is the piano trio, the two quartets and other works. Janáček's hostility to Smetana's music and sympathy towards Dvořák's might have some other extramusical connotation, but I've never quite understood that Dvořák's reputation has generally been thought to exceed that of Smetana; I agree that the 7th symphony is his finest and, whilst the 9th has its moments it doesn't do a whole lot for me and the orchestral tone poems are finer fare altogether, I think.

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    • ahinton
      Full Member
      • Nov 2010
      • 16122

      #32
      Originally posted by kernelbogey View Post
      I don't think 'Breakfast ' had even been thought of 54 years ago. Nor Sarah Mohr-Pietsch .
      The "h" is present but silent in "Walker" but absent and silent in "Mohr-Pietsch". Don't let that make you choke on your cornflakes, though...

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      • cloughie
        Full Member
        • Dec 2011
        • 22118

        #33
        Originally posted by ahinton View Post
        The "h" is present but silent in "Walker" but absent and silent in "Mohr-Pietsch". Don't let that make you choke on your cornflakes, though...
        I take it that's a hint on spelling!

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        • John Shelton

          #34
          The Bagatelles for string trio and harmonium are gorgeous

          Antonín Dvořák (1841-1904)Bagatelles for String Trio and Harmonium, Op. 47 I. Allegretto scherzando 0:01II. Tempo di Minuetto. Grazioso 3:03III. Allegretto s...


          Antonín Dvořák (1841-1904)Bagatelles for String Trio and Harmonium, Op. 47 IV. Canon. Andante con moto 0:01V. Poco allegro 4:14The Vienna Philharmonia Quinte...


          (Sorry for the repetition)

          How about Talich in 'From the New World'?

          Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.

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          • aeolium
            Full Member
            • Nov 2010
            • 3992

            #35
            Or this oft-played Humoresque:

            The Humoresque No 7 in G Flat Major for piano by Dvorak.


            (And in Comedian Harmonists arrangement):

            Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.


            I can't say I ever find Dvorak's music dull; for me the folk inspiration and his phenomenal melodic gift transfigure the often traditional musical forms he uses, so that the music always gives the impression of breaking free of its formal constraints. The problem with the New World symphony is, as others have said, that it is overplayed and its qualities become staled by familiarity - I try and overcome that by only listening to a couple of performances a year at most.

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            • amateur51

              #36
              Originally posted by Hey Nonymous View Post
              The Bagatelles for string trio and harmonium are gorgeous

              Antonín Dvořák (1841-1904)Bagatelles for String Trio and Harmonium, Op. 47 I. Allegretto scherzando 0:01II. Tempo di Minuetto. Grazioso 3:03III. Allegretto s...


              Antonín Dvořák (1841-1904)Bagatelles for String Trio and Harmonium, Op. 47 IV. Canon. Andante con moto 0:01V. Poco allegro 4:14The Vienna Philharmonia Quinte...


              (Sorry for the repetition)

              How about Talich in 'From the New World'?

              http://www.youtube.com/watch?v=rKVehfC1F_k
              Many thanks for the harmonium/trio Bagatelles, Hey Nonymous - wonderful stuff

              Comment

              • Bryn
                Banned
                • Mar 2007
                • 24688

                #37
                Originally posted by aeolium View Post
                Or this oft-played Humoresque:

                The Humoresque No 7 in G Flat Major for piano by Dvorak.


                (And in Comedian Harmonists arrangement):

                http://www.youtube.com/watch?v=x-YAbdMzVWQ
                And of course:

                Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.


                So apposite, what with Dvorak being a railways anorak.

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                • teamsaint
                  Full Member
                  • Nov 2010
                  • 25204

                  #38
                  #9 is a fabulous piece by one of my favourite composers.
                  I just listen to #9 at a time of my own choosing (ie not on the radio or in BC's).
                  Th Czech Suite is one of the most uplifting pieces I know...and the chamber music is just amongst the finest there is.

                  He's the kiddy, as far as I am concerned. His use of folk music is just wonderful.
                  I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.

                  I am not a number, I am a free man.

                  Comment

                  • Pikaia

                    #39
                    There was a story on the recent "Symphony" series on TV about a pupil of Bruckner who was enthusing about Dvorak's orchestration, but Bruckner was not impressed. He said "If you took two sausages and painted them blue and green you would still only have two sausages!".

                    And I think he was right. Dvorak's music is pretty, but lacking in emotional impact and doing little to take music forward. So, while I used to enjoy his 9th, and other of his music, I have become bored with it and no longer feel any need to hear any of it again.

                    Against a Bruckner Symphony almost any other music seems trivial by comparison.

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                    • vinteuil
                      Full Member
                      • Nov 2010
                      • 12801

                      #40
                      Originally posted by Pikaia View Post

                      Against a Bruckner Symphony almost any other music seems trivial by comparison.
                      ... and in your collection of "trivial" music you will be putting, I don't know, - Perotin, Leonin, Palestrina, Byrd, Monteverdi, Victoria, Schutz, Handel, Bach, Haydn, Mozart, Beethoven, Schubert, Wagner...

                      Comment

                      • richardfinegold
                        Full Member
                        • Sep 2012
                        • 7660

                        #41
                        Originally posted by Mandryka View Post
                        I quite like this symphony and can understand why it's so popular.

                        However, it is seriously over-exposed and has been for many years now. Some of it is down to THAT Hovis advert, I'm sure, but a lot of it seems to be down to safe, unadventurous programming by planners who want a 'banker'.

                        I've never heard it performed live as I wouldn't feel satisfied with a concert where it was the main item.



                        What are everyone's thoughts on this work?
                        I've heard it many times in Concert. It is always satisfying. Don't deny yourself this pleasure.
                        My favorite experience was hearing a "Beyond The Score" presentation at the Chicago SO featuring this work. I had never realized how much the work was in spired by the poem Hiawatha. I believe that one can access this presentation from the cso web site.

                        Comment

                        • kernelbogey
                          Full Member
                          • Nov 2010
                          • 5740

                          #42
                          Originally posted by ahinton View Post
                          The "h" is present but silent in "Walker" but absent and silent in "Mohr-Pietsch". Don't let that make you choke on your cornflakes, though...
                          Ach! 'Twas the porridge, anyway.
                          PS Do you set cryptic crosswords, by any chance, ah?

                          Comment

                          • kernelbogey
                            Full Member
                            • Nov 2010
                            • 5740

                            #43
                            Originally posted by vinteuil View Post
                            ... and in your collection of "trivial" music you will be putting, I don't know, - Perotin, Leonin, Palestrina, Byrd, Monteverdi, Victoria, Schutz, Handel, Bach, Haydn, Mozart, Beethoven, Schubert, Wagner...
                            Ouch! What a welcoming post...!

                            Comment

                            • teamsaint
                              Full Member
                              • Nov 2010
                              • 25204

                              #44
                              Originally posted by Pikaia View Post
                              There was a story on the recent "Symphony" series on TV about a pupil of Bruckner who was enthusing about Dvorak's orchestration, but Bruckner was not impressed. He said "If you took two sausages and painted them blue and green you would still only have two sausages!".

                              And I think he was right. Dvorak's music is pretty, but lacking in emotional impact and doing little to take music forward. So, while I used to enjoy his 9th, and other of his music, I have become bored with it and no longer feel any need to hear any of it again.

                              Against a Bruckner Symphony almost any other music seems trivial by comparison.
                              Was not Dvorak's use of folk music, for instance "taking music forward?" It was as far as I am concerned.
                              As for lack of emotional impact...I am amazed at this observation. It certainly affects me.Each to their own, though....

                              Edit...welcome anyway !!
                              I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own.

                              I am not a number, I am a free man.

                              Comment

                              • vinteuil
                                Full Member
                                • Nov 2010
                                • 12801

                                #45
                                Originally posted by kernelbogey View Post
                                Ouch! What a welcoming post...!
                                [ ... sorreeeee! ]

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