Originally posted by vinteuil
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Are You A 'New World' Symphony Snob?
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Originally posted by LMcD View PostI don't know how many people know that the lad pushing his bike up Gold Hill was the 3rd choice - the 1st boy refused to have his hair cut in the required style and it transpired that the 2nd couldn't ride a bike.
I still love Dvorak 4 (the Rowicki/LSO performance)
Added to which, Dvorak 3 has become a favourite in the revelatory Vienna Phil/Myung-Whun Chung recording. Regularly have the first movement on repeat play!
But the New World remains one of those rare welcome old warhorses that always give pleasure (in a decent performance)."...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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The 'New World' is one of my all time favourite symphonies which I never tire of listening to. There's usually a pretty good reason why 'warhorses' are trotted out again and again. Schumann piano concerto, Tchaikovsky piano concerto and symphonies 4, 5 & 6, Beethoven 5 etc, etc. Love them all!
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Originally posted by pastoralguy View PostThe 'New World' is one of my all time favourite symphonies which I never tire of listening to. There's usually a pretty good reason why 'warhorses' are trotted out again and again. Schumann piano concerto, Tchaikovsky piano concerto and symphonies 4, 5 & 6, Beethoven 5 etc, etc. Love them all!
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Originally posted by visualnickmos View PostIs this the EMI recording in a different guise, or a different recording, with same forces?
... the limited info on the box -
symphony 7 . P 1959
symphony 9 . P 1969
symphony 8 . P 1958
Precision Records and Tapes ltd
digitally remastered by Michael J Dutton at PRT Studios London
.
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Originally posted by Caliban View Post
I still love Dvorak 4 (the Rowicki/LSO performance)
Added to which, Dvorak 3 has become a favourite in the revelatory Vienna Phil/Myung-Whun Chung recording. Regularly have the first movement on repeat play!
But the New World remains one of those rare welcome old warhorses that always give pleasure (in a decent performance).
.....and the third - surely one of the most "draw-you-in" openings of any symphony... and Chung and the Wiener Philharmoniker even hold open the door for you!
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Originally posted by visualnickmos View PostThat is a fabulous set from Rowicki and the ever-superb LSO.....
.....and the third - surely one of the most "draw-you-in" openings of any symphony... and Chung and the Wiener Philharmoniker even hold open the door for you!"...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Originally posted by vinteuil View Post.
... the limited info on the box -
symphony 7 . P 1959
symphony 9 . P 1969
symphony 8 . P 1958
Precision Records and Tapes ltd
digitally remastered by Michael J Dutton at PRT Studios London
.
7 rec. 7 Aug 1957
8 rec. 28/29 Oct 1957
9 rec. 3 Sep 1958
Have to say, they are excellent recordings - crystal clear definition, and a nice fullness sonically. And of course, wonderful performances.
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Originally posted by visualnickmos View PostThis is interesting; I have a 'Royal Classics' Disky incarnation of the 7, 8, 9 plus Brahms double, Scherzo Capticcioso, Legends, Serenade Op44 in 3-CD set.
7 rec. 7 Aug 1957
8 rec. 28/29 Oct 1957
9 rec. 3 Sep 1958
Have to say, they are excellent recordings - crystal clear definition, and a nice fullness sonically. And of course, wonderful performances.
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Originally posted by Bryn View PostI think the difference relates to recording dates versus publication dates.
Very often, confusion can easily arise when recordings are getting on a bit, and many incarnations and compilations of works appear under a host of different labels...
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I love the New World Symphony - though I don't really know what makes it so different. Somehow Dvorak manages to get ideas floating out from nowhere - something which not so many other composers do. It sounds really spontaneous, not really in a rigid formal pattern, yet perhaps it is a formally "well structured" as most other symphonies.
There's an interesting article here - http://www.antonin-dvorak.cz/en/symphony9
I noticed quotations from the 2nd movement in the final movement recently, but there's this observation about the final example in the article cited above - "In one passage, for example, he interweaves the main themes from the second, third and fourth movements:" Clever and intricate stuff, yet sounds simple.Last edited by Dave2002; 01-12-18, 19:15.
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