Originally posted by Flosshilde
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Extremely annoying pieces of classical music
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Isn't it odd? I love Tatiana's Letter Scene and the Nutcracker music. We danced to the Nutcracker at Junior School [It was wartime and we had about three records to choose from.] Ihad a lovely LP of La Valse,
think it was Pierre Monteux. I got a young coz to listen to the Dukas and it got him started on music.
However, can't stand Bolero and the beginning of Rimsky's Capriccio Espagnole gets me rushing for the off switch. What a good thing we are not all alike!
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Originally posted by salymap View PostIsn't it odd? I love Tatiana's Letter Scene and the Nutcracker music. We danced to the Nutcracker at Junior School [It was wartime and we had about three records to choose from.]
By the way, while writing: a big "NOOOO!" to all the Elgar haters!!
I love the last movements of Symphs 1 & 2.. and Gerontius!!!!
Just shows you.."...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Uncle Monty
Originally posted by Mr Pee View PostNoooooo!!!!
The final movements of the Elgar symphonies are perfection!!!
I can't abide such crass generalization, although everything by Berlioz is garbage.
(I love the Enigmas, but always programme the cd player to omit the finale, which really, really annoys me. It seems so obvious somehow.)
However, I love Berlioz OK, some things are bit turgid, but his best stuff is just wonderful.
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Uncle Monty
And while I think of it, speaking as a cellist, anything by Tchaikovsky
All those wretched swirling chromatic runs, up and down, up and down, round and round, as when one has had one Barley Wine too many, and the room is going round, heralding the inevitable.
I hate him. Almost as much as I hate crass generalisations
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Originally posted by Uncle Monty View PostAnd while I think of it, speaking as a cellist, anything by Tchaikovsky
All those wretched swirling chromatic runs, up and down, up and down, round and round, as when one has had one Barley Wine too many, and the room is going round, heralding the inevitable."...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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Originally posted by Uncle Monty View PostAnd while I think of it, speaking as a cellist, anything by Tchaikovsky
All those wretched swirling chromatic runs, up and down, up and down, round and round, as when one has had one Barley Wine too many, and the room is going round, heralding the inevitable.
I hate him. Almost as much as I hate crass generalisations
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Originally posted by MrGongGong View PostThe Dream of Sodding Gerontius
the world would have been a much better place without it
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Originally posted by subcontrabass View PostI think Elgar's assessment of the work still stands, and I still love the work despite having studied it (as one of six set works) for A level many years ago.
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Originally posted by Eine Alpensinfonie View PostThat's praise indeed. I can think of a long list of works I never listen to now as a result of over-exposure in school, university and teaching A-level...
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Originally posted by subcontrabass View PostI still enjoy listening to four of the other works we studied (as well as the three we did for O level). I don't remember ever hearing the other one broadcast."...the isle is full of noises,
Sounds and sweet airs, that give delight and hurt not.
Sometimes a thousand twangling instruments
Will hum about mine ears, and sometime voices..."
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